ZERO SETLISTS and REVIEWS for 1996 (nearly complete) taken from Zero Base System created by Sue Shaeffer Execuchef2@aol.com ============================================================================== Maritime Hall - San Francisco, CA 12/30/95 SET 1: Tangled Hangers Catalina Pits of Thunder Highway 61 SET 2: End of the World Blues Rigor Mortis Chance in a Million REVIEW AUTHOR(S): NOTES: Opened for Radiators =============================================================================== Maritime Hall - San Francisco, CA 12/31/95 SET 1: Golden Road Horses Shape I'm In Mercury Blues SET 2: Cole's Law Pits of Thunder La Fiesta Home on the Range REVIEW AUTHOR(S): NOTES: Opened for Radiators; then off to SK&F gathering in San Rafael to bring in za New Year (afterall, 96 is 69 up.side.down)! =============================================================================== Sweetwater - Mill Valley, CA 1/5/96 SET 1: Anorexia Golden Road Horses Let Me Love You Baby Rigor Mortis Highway 61 SET 2: Filthy McNasty End of the World Blues Pits of Thunder Afro Blue Richie's Rooster La Fiesta Tell Me All About It Home on the Range BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): =============================================================================== Sweetwater - Mill Valley, CA 1/6/96 SET 1: Catalina Tangled Hangers Junko (Junco) Partner Use Me The Weight Pits of Thunder SET 2: Strawberry Fields tease La Fiesta Chance in a Million Outskirts of Town INCOMPLETE BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): NOTES: yes i was there, sorta. tape fckd up....... =============================================================================== Satellite Lounge - Houston, TX 1/31/96 SET 1: Golden Road Catalina Pits of Thunder Horses La Fiesta Shape I'm In SET 2: Anorexia Highway 61 Junko (Junco) Partner End of the World Blues Use Me Home on the Range ENCORE: Mercury Blues BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Chris Cowles NOTES: Here is the full list from the Tour of Texas -- better known as the "Shit, I had no idea it was this cold down here Tour". ------------------------------------------------------------------------------- ---- Houston is not at all what I thought it would be -- this city basically sucked and resembled one big ghetto BUT, the Satellite Lounge was one funky place and Zero opened their tour to a very good house. Vertical Horizon opened the show -- band was from Washington, DC and was forgettable but inoffensive. Jordan Silber, owner of White Rabbit in Austin, did his first out of town production for this show and should be commended for helping bring in a good house and bringing his own soundguy, J.C. whose fforts paid dividends with a very good sound from Zero. Band opened with a marvelous "Golden Road" -- textbook quality with Steve Kimock/Martin Fierro/Chip Roland really locking in. The first set -- although really well played and well received by the crowd -- many of whom were first-timers -- became alook of things to come over the next two official shows as there was little change minus opening and closing tunes. "Catalina" and "Pits" had some new arrangements -- "Horses" and "La Fiesta" were the same old, same old and "Shape I'm In" was a suitable closer. The second set saw impeccable sound and an even higher level of performance from the band -- "Anorexia" started the groove with Fierro and Kimock locking nicely with Bobby Vega and Roland providing a perfect anchor. Kimock's hollowbody guitar also deserves mention here for the incredible wound he was getting out of it. Roland's version "Junko Partner" also known as "Junco Partner" was done in that superb Prof. Longhair style with barrelhouse piano. "End of the World Blues" was intense but not quite as impressive as the re-arranged opening of Bill Wither's Use Me" as Vega did a "Rigor Mortiesque" opening -- this was by far one of the better "Use Me's" that I've heard with Judge Murphy really showing a strong stage presence adn getting some great interplay with Komock's creative leads. Martin's goofiness of the evening had to be when he toasted the Texas crowd with a shot of tequila and gave a big "ye-ha!" Although "Golden Road" was the pearl of the evening -- the new arrangement near the end of "Home on the Range" certainly has to be given he nod, at least for the laugh of it -- the intense jam mixed with "Close Encounters of the Third Kind" organ. The now-usualy "Mercury Blues" was the encore with the usual aplomb and slide work from Kimock. Now it's on to Austin with cancellation of the Dallas gig. =============================================================================== White Rabbit - Austin, TX 2/1/96 SET 1: Green Onions Cole's Law The Weight Junko (Junco) Partner Listen Here * Cissy Strut ** Natural Ball ** Papa was a Rolling Stone Thankyouforlettinmebemicelfagin SET 2: Superstitious (set 1) Badge (45 m rehearsal) BAND MEMBERS: Steve Kimock Bobby Vega Dwayne Jackson ** Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Chris Cowles NOTES: Dallas gig doesn't happen so the band plays a free, surprise gig at the White Rabbit in Austin that was opened by a local funk group called Biscuit. Note: Martin did not play this gig due to "slight injuries" incurred when he slipped having a footrace with Judge. * Judge on drums ** Dwayne Jackson was from Biscuit (opening band) Superstitious was part of Set 1. ------------------------------------------------------------------------------- ---- So the gig scheduled for Dallas doesn't happen and I end up back in Austin with my guardian Jim Birkhead who was there to tape and make sure I didn't offend anyone. Texas at this point is having a major problem with freezing rain and rather cold temps so Austin is a ghost town. We decide to go catch a show at the legendary club Antones, but beforehand make our way over to the White Rabbit to see what was going on there, etc. Seems that a local funk band, Biscuit, is going to be playing there and that Zero is doing a free gig afterward. It's easily decided that we would be attending this gig. Biscuit plays an hour-or-so set of George Clintonesque funk with good intentions and then Zero loads in. By midnight they are ready to go on and there is a crowd of about 25-30 people who braved the cold or maybe just happened to be in the right place at the right time because this was the prize gig of the tour in my opinion -- not that that matters much, but, this was a killer evening. Silber and his people at the White Rabbit really have it down to making patrons at home -- outstanding selection of brews from around the world, espresso, and just plain good vibes -- not to mention those pints of Guiness for $1.75 until 10 p.m. This place is downhome and worthy of checking out. Zero plays a member down tonight as Martin has taken a tumble while having a footrace with Judge outside earlier this evening -- a combination of Martin's youthful disregard for his own safety or possibly Judge's superior athletic skills? Probably neither but Martin remains at the hotel soaking in Epsom salts. Chip starts the evening with the traditional Booker T. Jones "Green Onions" and the band is on its way -- what followed was one of the most inspirational tunes of the whole tour: "Cole's Law" featuring Kimock at his best accented beautifully by Chip's Hammond B-3. Incredible and a tune that just keeps on going reaching those intense climaxes. Judge's first of the evening was a rendition of "The Weight" -- very mellow and friendly. Chip did "junko Partner and then things got interesting and very funky. Greg leaves the stage for some reason -- Judge sits in on drums and they groove on a really fluid version of Eddie Harris' "Listen Here." Judge is replaced on drums -- credit him with sitting in quite nicely and with solid technique -- by Dwayne Jackson from the opening band, Biscuit. In his mid-20s, Jackson may be blind but he can play and I understand he is quite adept on stringed instruments as well. The remainder of the two-hour set is a veritable funk-soul groove as the band kicked into "Cissy Strut" followed by Roland doing a version of "Natural Ball" followed by Judge calling for "Papa was a Rolling Stone" that the band has fiddled wtih during soudcheck earlier. They had really locked in at this point with everybody getting a chance to solo and improvise. "Papa" was highlighted by judge doing a bit of a rap on Sly Stewart's "Thank You" (falettinmebemicelfagin). " They closed with a neat version of "Superstitious." After a break and the majority of the people had left, Zero did a 40-minute rehersal of the Cream biggie "Badge" with some absolutely intense leads from Kimock and solid vocals from Judge. The band seemed to have a problem with the bridge at the end as Greg couldn't seem to get it right. The tapes from this rehearsal might make for a good find someday as it is more evidence that this group is not only getting more and more polished, but something to look out for. Now, if they would just do more of their own material. =============================================================================== White Rabbit - Austin, TX 2/2/96 SET 1: Tangled Hangers Catalina Pits of Thunder Horses La Fiesta Rigor Mortis Junko (Junco) Partner Highway 61 SET 2: End of the World Blues The Weight Chance in a Million Gregg's Eggs Tell Me All About It Home on the Range ENCORE: She's So Heavy BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): c/o Chris Cowles via Sooshi, Kevin, Tim & Art ¥ Chris solo NOTES: Chris Cowles via Sooshi, Kevin, Tim & Art: The room: Rectubular room with hand drawn hippie murals, cool lights, and great sound make this venue tops with us all. The Band: Tight, kinda don't work here. Uptight, ain't exactly it either. Flucking incredible may suit, and that's about it. Turtle Boy was in rare form as well............ ------------------------------------------------------------------------------- ---- Chris Cowles: Very cold night outside but cookin inside -- not a full house compared to the two killer shows played here last September when it was a sardine situation but still a good draw. Of the four shows, this was probably not the top of the pile but certainly made up for it with a top-shelf delivery by Martin Fierro of "Tell Me About It" at the tailend of the second set -- it's been almost a year that the band has been doing this tun and this version just oozed with Martin's vocals and the deft picking by Kimock. The other keeper of the evening was the breakout of the Lennon-McCartney "I Want You (She's So Heavy)" for the encore. According to Art Granoff, who again demonstrated how it is done as far as taping is converned, the band had soundchecked with this ditty earlier in the afternoon. Quite pleasing to say the least. With the exception of the "Tangled Hangers" opener, the first set was pretty much stock material -- but the jams from "La Fiesta" and "Rigor Mortis" into "Junko Partner" were quite nice. "Highway 61" found it's way to the close of the first set which brought me to thinking: hey, if we're going to do this Zimmerman stuff, why not bring back "Like a Rolling Stone" again. Reason probably being that the band is really creanking on a full-throttle: as evidenced by the fact that Kimock was not sitting for the brunt of theshows as was a normal practice in the past. "End of the World Blues" opened the second set with a steady groove followed by "The Weight" and "Chance." "Gregg's Eggs," played only once in four nights was a pleasant change and provided a chance for everyone to stretch out. The set ending "Home on the Range" never quite hit form although it built nicely out of Martin's delivery of "Tell Me About It." The encore -- nuff said. It kicked ass and was great to see/hear especially Kimock's breaks midway throuigh, Chip and Bobby's rhythmic interplay and some pretty fair vocals from Judge. =============================================================================== White Rabbit - Austin, TX 2/3/96 SET 1: Anorexia Pits of Thunder Highway 61 Horses Golden Road Can't Keep a Good Man Down Use Me Mercury Blues SET 2: Chance in a Million La Fiesta Shape I'm In Outskirts of Town Catalina She's So Heavy Cissy Strut Rigor Mortis Home on the Range ENCORE: Afro Blue BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Chris Cowles NOTES: Note: Doug Sahm from Sir Doug Quintet and Texa Tornados fame attended the show -- Martin was a cohort of Sir Doug's for many years. ------------------------------------------------------------------------------- ---- There was something for everybody this evening and this was by far a perfect show to close out a great four-day run in Texas including three in Austin. This was also the longest show of the run with 18 tunes. The first set, although laden with stock material, was a great mix of instumentals including what is becoming a grooving opener -- "Anorexia" and "Golden Road" which, in my book, is good anytime and for anything that ails ya -- especially with Steve's nimble fingers running on that lap steel. Judge's presence on stage and Chip's confidence at the mic are becoming more evident as shown in "Pits" and "Highway 61" and yet another funked-up version of the Jimmy Cliff/Barrance Hammond "Can't Keep a Good Man Down" that brought a friendly reggae-shuffle to the stage. I was really pleased to hear this one -- especially since I'd been dropping Chip hints since Houston that it would be nice to break it out again! The second set was a perfect mix of extended instrumentals, blues and shuffles and stright-ahead New orleans funk opening with a laid back but short "Chance in a Million" into "La Fiesta" followed by Shape I'm In. For the first time on the tour Zero hit Ray Jordan's "Outskirts of Town" with Roland providing some killer organ intro to open the song -- for his work, Judge introduced Chip as "Rev. Chip Roland." This was one of the best offerings of the evening but then again, it was followed by yet another strong "Catalina" with Kimock providing some smooth lead work on the hollowbody. The band's second version of "I Want You (She's So Heavy) almost made me forget who Lennon was -- almost. This time around the harmonizing was more together and Kimock again was a dervish when it came to his leads. The final three tunes of the set, including a pair of Meters goodies: "Cissy Strut" > "Rigor Mortis" complete with a Vega bass exploration featuring runs of Hendrix's "Manic Depression," were capped by a blistering "Home on the Range." An encore of "Afro Blue" was the perfect choice as this soulful Mongo Santamaria tune probably left everyone in the room with a feeling of total satisfaction and a new harmony -- very soothing and an outstanding way to end four days of music in a rather cold climate. As a sidenote, Doug Sahm attended the show from start to finish -- as many know, he was the leader of the Sir Douglass Quintet and the Texas Tornados -- it was just too bad he didn't get a chance on stage. So that's it for this time around. It was great seeing everyone in Austin at the White Rabbit -- support this groovy club, it really is top-shelf. Also great to see the folks from other parts of the country -- Art, Kevin, Tim (who both helped to design and print a new Zeroesque sht). Keep an eye out for the tape as they will probably be making their way around -- and also be on the lookout for the breakout of "Badge" as it is bound to happen sooner or later. Try to support the band as much as you all can -- I don't mean just moneywise, but vocally, spread the word about them as they are really shaping up into a right fine unit -- very polished. A disclaimer -- if some notes or quotes ain't right, don't blame me -- it was Art and that brand new squished flounder that I gave him that might have laid some funky vibes on me. ------------------------------------------------------------------------------- ---- PS Great to see Art, Mr. Head, Tim, Kevin, John from Houston (birthday boy and Zero is in his town) and of course, the wonderful people in Austin. =============================================================================== Santa Rosa Veterans Hall - Santa Rosa, CA 2/9/96 SET 1: Golden Road Highway 61 Pits of Thunder La Fiesta Can't Keep a Good Man Down She's So Heavy SET 2: Cole's Law Chance in a Million Home on the Range BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Doug Greene NOTES: Short second set due to time constraints (had to be outta there by 1 PM) and long program, Jazz Iguanas, Pele Juju, Indian Drummers..... =============================================================================== Fillmore - San Francisco, CA 2/16/96 SET 1: Chance in a Million Pits of Thunder Tangled Hangers It's a Man's World* Boogie on Reggae ** Woman Home on the Range SET 2: Catalina End of the World Blues Drums Gregg's Eggs Baba O'Reilly Gregg's Eggs Mercury Blues ENCORE: The Weight BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy Merl Saunders** Bongo Lonnie? Vince Welnick* REVIEW AUTHOR(S): Doug Greene NOTES: Merl Saunders sat in on one song as noted above. Vince did two songs & played in & around the regular Zero material. Steve played a number of songs on the Vega (the acoustic guitar, not Bobby) and got an amazing sound out. The place was full but not packed. All in all a really fine show. =============================================================================== Palookaville - Santa Cruz, CA 2/24/96 SET 1: Golden Road Catalina Pits of Thunder Can't Keep a Good Man Down Highway 61 Home on the Range SET 2: Afro Blue Chance in a Million Gregg's Eggs Shape I'm In BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Tom Bockman NOTES: I thought the show was good, the second set was definately really hot at points. The opening act played *entirely* too long, and Zero's second set was forced to end early. The "Vega" guitar was in full force again with solos in G. Road & Catalina. Chip seems to be getting a handle on JCliff's "Can't Keep a Good Man Down", this could develop into something really nice. The band was much jammier in the second set starting with a very well done Afro Blue. The jam wound down to a fantastic segment of Bobby Vega and Steve conversing with one another for very nice effect...very exciting music. "Chance" featured a beautiful intro that was a really nice surprise. Steve crafted a nice little melodic statement & mini-improv before the drum attack that traditionally starts off the tune. "Greggs Eggs" was *fantastic*, much more to my liking than the Filmore version, with a couple of well explored jams that had the crowd locked in. "Shape I'm In" was fun as always, just too bad it had to end right there! It seem's like Zero has been stuck with some opener everytime they've played at Palookaville and usually one of the sets ends up being shorter as a result. Of course when SK&F opened for Second Sight and played more than an hour and fifteen minutes, I wasn't complaining. :) While I enjoy the atmosphere of Palookaville compared to other clubs, it seems to always be a shorter show... It was really cold too, with reports of snow in the S.Cruz Mnts over 1400ft... ..brr.. =============================================================================== Maritime Hall - San Francisco, CA 3/16/96 SET 1: Gregg's Eggs Little Wing Highway 61 Richie's Rooster Rigor Mortis She's So Heavy SET 2: La Fiesta* Mercury Blues Forever is Nowhere Shape I'm In Tell Me All About It End of the World Blues Chance in a Million** ENCORE: Use Me BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy John Morgan Kimock Bongo Lonnie REVIEW AUTHOR(S): Jm Tuedio ¥ Tom Bockman ¥Bob Crelco ¥ Greg Shull NOTES: Jim Tuedio: Set 1: HOT! This set started with a jam in space that felt like it could explode at any moment into The Other One, followed by a great jam on Gregg's Eggs. Kimock was driving these jams along with perfect concentration, and when we came to the end of Gregg's Eggs, there were some VERY happy people at the Maritime. The Little Wing jam was absolutely stellar, too, with gripping intensity from Kimock's guitar. Highway 61 kept the energy rolling, and the culminating jam had everyone around me locked in with total dancing intensity. What a start to the show; and what a departure from the Fillmore, where I thought the tunes were played well, but not great. Richie's Rooster came as a surprise to me at this juncture of the show; there was good energy here, too. But things really took off for the last two tunes of the set. Rigor Mortis was POWERFUL, especially when the closing jam took off! But She's So Heavy carried the night to a whole new level of intensity. It started out like the Abbey Road version, but they built the jam up to a much greater intensity than I was expecting, with flawless concentration from Kimock. The set ended just like the record, and it took the better part of the set break for my grin to wear back down to a normal smile. This was as fine an opening set as I've ever heard them play live, and it seemed better to me than anything I've heard yet on tape. Someone from the taping section should definitely seed a tree for this show! SET II: Wavy Gravy came out for the start of the second set and made a pitch for signing the petition to stone the sick. He had his p et dinosaur on a leash, and Martin got in a good tug to lower his colorful sweatpants just as the music was starting up. The set started off with a delicate opening to La Fiesta; but when Kimock started to jam, the music TOOK OFF again! The closing jam had wonderful intensity to it; in fact it was so intense that when I fin ally opened up my eyes poor Martin had cream pie all over his face! That was probably as strange a return from space as I've ever experienced in concert. People around me said it was Wavy Gravy's doing, but I think it must have come flying out of Martin's on-stage monitor --direct from Kimock's guitar. The jam was so intense I had no idea what to make of Martin's predicament, and I think he was experiencing some confusion of his own.... Easily the best La Fiesta I've heard them play. Mercury Blues came next and sounded like itself, and the crowd around me was dancing hard. But the high point of the whole show (for me) was the ethereal jam o n Forever is Nowhere. This one really opened up some great head space for me, with clear images in powerful combinations, and all without chemical inducements. Kimock was in total command of this tune, and the closing had a very special feel to it. Much stronger than the GAMH version I heard back in June of '95 (and that one was pretty good itself!). The Shape I'm In was played well, with a good tight jam at the end, and Maritime was in fine form for Tell Me All About It. The culminating jam on End of the World Blues took us back into intense territory, and closed with a perfect landing. People in the crowd around me were by now starting to look tired from dancing and concentrating on so much intense music, so when Chance in a Million started out with that real sweet opening, I could see people start to settle back. But when it took off, everyone got back into their dancing groove, and the set came to an end with a rush. It took a few minutes to get the band back out there for an encore, and it seemed to me like people were satisfied with what they had heard by now, and probably would have called it a night if not for the encore. It was great to hear them play an intense version of Use Me Up, but by 1:58 am we were definitely satiated! I have not heard Kimock play this well on so many tunes in one show before, though I have heard him play great tunes at many shows with Zero and SK&F. This was a spectacular show, taking Zero to a new level of inspired intensity. It was great to hear Chet Helms tell us they'd be back at the Family Dog "every third Saturday of the month." I hope he means it! He certainly looked like he was having a great time at this show. Canned Heat opened, and actually played much better than I had been led to believe they would. It was a great double bill. And boy is it fun driving out of the City at 2:30 am after a San Francisco Saturday night! People were just blowing out of town! And they weren't drunk, either! I do say, there's a new mayor in town. And things are picking up! Hope some of you can make the 4:20 show. It should be a great one. And again, if there's a DAT seed out there from this show, get in touch with me so I can set up an analog tree for those in other parts of the country who need to hear it to believe it, as well as for those who were there and would like to hear it again. Tom Bockmon : Well Canned Heat (Canned Head?!) opened and in hopes of keeping this review as positive as possible I wont say anything about it. The "kings" of boogie-woogie rock played without any keyboard (big mistake), and even had a guitarist try to impress us by playing the guitar behind his head (bigger mistake). While they weren't *THAT* bad, they hold no candle to any of the previous versions of Canned Heat that *did* actually manage to make a lil' something happen. The live cd on King Biscuit records is a better reference of what these guys used to be able to do, as well as a nice tribute to some good musicians who left us too soon. Zero hit the stage and completely blew me (& most everyone else) away. They started with either a jam or instrumental that sounded a bit like parts of "Hiway" or something funky before settling into "Greggs Eggs". "Greggs Eggs" is not what *I* (a definite newbie only seeing Zero since '93) would consider a conventional opener...I thought it was akin to the GD opening with "Cassidy" or "Bird Song". The band was just SMOKING from the start, I couldn't believe how well they were navigating the changes of "Gregg's Eggs" having only begun a few moments earlier! We (freaky folks on Chip's side) were laughing about the amazing choice (& execution) of the opener, when we were completely surprised AGAIN by the song selection. "Little Wing" had been a long time coming, as I hadn't caught a version in quite a while. I'm pretty sure that all other times I'd caught it was not the second song of the night, nor Judge's first song. It was great to hear, and we were beginning to sense that Zero was "taking no prisoners". The second percussionist (sorry no name..) was a major addition, I've seen this guy play a *few* times and he always leaves me impressed. As much as I enjoyed the "different" version of Hiway 61 from the SKF show the evening before, I was not prepared for the force of the one that followed "Little Wing". The boys were playing SO hard, and the crowd was completely *eating it up*!! I've NEVER seen the energy so powerful at a Zero gig before, people were completely surrendering to the groove...and it was only the third tune. The band was beginning to sense how well they were playing, and then did "Richie's Rooster" which is a great tune to showcase the groupmind or ESP that was propelling this band. "Rigor Mortis" let me know that this really was going to be the best Zero show of my life. Bobby Vega led the way "out" and everyone got off BIG TIME on this one. Long improvisations dripping with "The Funk" made their way around the Maritime Hall...again I cant believe how swept up in this the audience was becoming. So many times I've been transfixed by the boys only to notice the numbers of people sitting at the bar or whatnot completely oblivious to the magic that was going on...complete opposite on this night. I don't know where all these people came from, but I can bet that they will quickly become regulars at these events. "She's So Heavy" was a first time appearance for me as I missed the only other CA version in Fairfax a few months ago. The most mentionable thing about it was not the performance but the audience's reception of it. Folks had completely allowed themselves to be taken by the music and now hearing something as familiar as the Beatles, led to complete madness....I mean people were writhing on the floor in ecstasy during the choruses (No Shit). Set 2 didn't get started until after midnight (Happy St. Patrick's Day!!) and it went on much longer than I thought it would. "La Fiesta" worked well as an opener, the dancing masses were very receptive to this tune which I'm sure most of them had never heard before. The title of this Chick Corea tune really captures the essence of the *Celebration* that ensued as Zero tore through this number. The incredible melodicism of this tune really brings a strong emotional spirit to the proceedings. Kimock/Fierro/Roland all turned in amazing solos that had that spiraling/dervish type flavor to them...very intense/driving energy. The vertical improvisations of Kimock & Martin just continued to build and build until they could go no higher/faster...and then they would drop right into that amazingly BEAUTIFUL melodic refrain leaving hundreds of dancers and angels swirling on the head of a pin. This was one of my highest experiences of all-time, as it seemed to be for many others. "La Fiesta" allowed many to plug into the organic, festive, connected-ness that is missing in our day to day realities...these complex improvisations were transformed into amazingly simple beauty with a flash, and there must be some kind of message in there for all of us..... From there we took out that damn Mercury and did what we wanted with it, no matter the consequences. We freely admitted that we are "crazy 'bout the Mercury" and cruised it Further...."Forever is Nowhere" served as another dispenser of emotion, spirit, and beauty with a particularly moving solo from Fierro. It was really great to hear this composition as it is one of my favorites from the "Chance in a Million" CD and doesn't seem to get played as much anymore. Judging from the reaction, Zero should keep this one in the more regular rotation. Really Beautiful! The mysticism of "Forever is Nowhere" was followed by the straight-up blues flavorings of "Shape I'm In" featuring the indispensable Chip Roland on keys and vocals. The show was just continuing to build and build upon each song that came next, and "Shape" continued this trend. Martin's love song, "Tell Me About It", was notable for the rave-up vocal ending that seemed to surprise everyone involved. It was just really obvious how amazingly well the band was playing...they had become one...rather they'd become ZERO. "End of the World Blues" and "Chance in a Million" were both played very, very well and worked great together as "EOTWB" generated the angst that "Chance" was able to transform into hope....That slow intro for "Chance" is getting really good too, I can't wait to see where this ends up later...This amazing (LONG) set came to a close with Chip announcing that "We're finished!", seemingly aware of the lack of time for an encore. The crowd simply wouldn't take no for an answer and dragged Zero back out for an encore of "Use Me Up". Bobby Vega kicked it off laying down funky bass-lines (looking Village People-esque with that sailor's cap), and we all danced to one more number. The Family Dog shows are supposed to be over by 2 am, and this one was about as close as you can get. I think that this was probably the most powerful Zero show I've ever seen. I can think of a lot of great shows at the Mystic and GAMH, but the combination of the stellar playing with the great venue (& staff) really made this night a special one. Get the word out folks, this band is going to take the San Francisco sound into the 21st century...and boy, we need that. The Fillmore show was fun, but this gig was a sign.....don't miss out! Zero will be BACK at the Family Dog's Maritime Hall on: Saturday April 20th Saturday May 18th Saturday June 15th THANK YOU ZERO!! tom P.S. Chip's side dances *much* harder than Steve's side. BobCrelco: Though sand was scarce inside the Maritime Hall the essence of it's particle nature permeated about 73% of the floor area. Several salty sea dogs gave Martin a captain's hat that said, "Martin is a handful," to which Bobby gave a great laugh. Wavy Gravy then attacked Martin with a shark (not a cream pie), and spoke of laminated rock and roll. Needless to say, the whole band was a "handful," particularly Bobby Vega who thumped fatty notes all night, inspiring Steve to take things higher and higher until the inside of the Maritime felt like a tornado-stroon island draped in melting lucidity flakes with a side of blown minds. Zero was explosive indeed, a special night for all. Sure does make one glad to live in the Bay Area. These guys are better than reruns of Gilligan's Island. These guys are better than Fluffernutters. They're even better than Canned Heat if you can imagine. Wondering if Zero has access to Top of the Line Sand, Bruce Norbeck: What Zero Means to Me Brothers & Sisters, I wish I could write an actual review of Zero's performance at the Family dog, 3-16-96. Sadly, I didn't recognize many of the songs they played, because, while I'd seen them several times before, I didn't know their music at all; I only knew I loved it. So, songs like *Gregg's Eggs*, *Mercury Blues*, & others... I recognize the titles, & the song *I Have Ways (Tell Me All About It) I recognize, after the fact; but that's about it. So, I can't tell you that their rendition of *Gregg's Eggs* was the best I have heard yet, 'cause I just wouldn't know. I can tell you, though, that they were awesome that night. I may not know their music that well (yet) but I know music, & I know that Zero is one of the more talented bands I've ever heard. I know that when they began playing *Little Wing*, I couldn't stop the tears from streaming down my cheeks, thinking of Jimi & what he could have been, had he lived longer. When they played *Chance in a Million*, I was crying again, because that song just seems to symbolize hope for the future; a classic Hunter tune that sounded very much like Jerry should have been singing it. But I can forget that Jerry won't sing it, because Steve Kimock's guitar helps me to forget that Jerry's gone forever. Zero's music makes me feel free as a bird, like I'm flying; flying on updrafts of sound, rather than air. In the past, only the Dead have brought that feeling of freedom to me, that feeling of pure magik that makes you forget about the world, about your problems, about EVERYTHING, & just lose yourself completely in dancing. I was crushed, when Jerry died; probably most of us were. to me, it felt like I was never going to experience that heavenly rush that I got from dancing with them, with my brothers & sisters at the shows... & then, I got re-acquainted with Zero. Perhaps I'd not noticed that magik from them, four years ago when I first saw them, because the Dead were still with us. Or maybe Jerry's death sparked some deeper reservoir in them, I don't know. But I do know that, regardless of the reason, I'm eternally grateful to have them here with us... & looking forward to many more shows to come... Goddess bless, regards, bruce If you want peace, work for justice. If you don't want either, work for the government. Greg Shull: * At the Zero show in Santa Rosa last month, Martin nearly pulled Wavy Gravy's pants off while he was doing his routine. This time, Wavy got Martin full on in the face with a cream pie which brought things to a halt for a while so Martin could clean up. ** Long slow 1/2 time intro to Chance by Steve. Not often done. =============================================================================== Sweetwater - Mill Valley, CA 3/28/96 SET 1: Tongue in Groove La Fiesta Horses> Pits of Thunder Nancy Germany Can't Keep a Good Man Down Mercury Blues (alt vers) SET 2: High Lonesome Highway 61 (alt vers) Catalina Like a Rolling Stone Richie's Rooster Strawberry Fields Rigor Mortis Little Wing BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Tom Bockman NOTES: Zero is continuing to amaze everyone who shows up to one of their gigs as this show was definately comparable to the Family Dog catharsis of two weeks ago. The band had a few surprises for us, starting with their take on "Sexual Healing", known in Zero-circles as "Tounge in Groove". "La Fiesta" again was a fine choice, showcasing fine solos from Martin, then Kimock, and finally Chip before dropping a nice bluesy tag-ending to this jazzy number to close it out. The first vocal pairing of the night was great, Martin dropped a few notes from the "Dragnet Theme" during his solo break on "Pits" before turning it back over to Judge for the verses. The outro-jam on "Pits" was smoking, featuring Chip laying a nice foundation below to support the distortion-esque sounds that Kimock used in his amazing closing improvisation. "Nancy Germany" hadn't been heard in these parts in a while (I think), and was noteworthy for the two up-tempo solos delivered by Fierro and Kimock. Chip's cover of Jimmy Cliff's "Can't Keep a Good Man Down" was followed by the slower, funkier version of "Mercury Blues" that some of you may remember from other previous Zero shows. Set two began with what sounded (to me) like possibly a *new* instrumental (or cover?), titled "High Lonesome". It was a great groove with the definate MVP award going to Steve for his solo which removed paint from the celing of the Sweetwater. We then got another 'alternate version', as we were treated to a slower, funkier, almost soul-blues version of what could be called the "Highway 61 Blues". Another amazing version of "Catalina" followed, before stunning the crowd with a very well developed version of "Papa Was a Rolling Stone". Steve Kimock, again, showcased his energy on this number adding some tasteful (& soulfull) high-end harmonies to the chorus "...and when he died, all he left us was Alone!..." "Papa" closed out with a great Kimock-led improvisation, and was followed by another cocky (thats a compliment) version of "Richie's Rooster" sung by Mr. Roland. "Strawberry Fields" has been atempted in January at the last Zero shows at the Sweetwater, but tonights version was much more developed than that one. No guitar, drum, or reed accompaniment...just some nice fills from Chip-man, that gave Judge and the rest of the Mill Valley vocalists some melodic background for their sing-along. Another monsterous version of "Rigor Mortis" could be said to have "closed the set", since the dreamy version of "Little Wing" that oozed out of it seemed to serve as an encore since the boys again played a long, long show!! =============================================================================== Sweetwater - Mill Valley, CA 3/29/96 SET 1: Cole's Law Chance in a Million End of the World Blues This is Your Brain> La Fiesta Blues Jam The Weight SET 2: Catalina Golden Road Junko (Junco) Partner I Want Your Love (Did I Mention) Tell Me All About It Badge Gregg's Eggs Badge Home on the Range ENCORE: Afro Blue Use Me House of Bamboo BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Bruce Norbeck ¥ Tom Bockman (responding to Chris Cowles) NOTES: Bruce Norbeck: Brothers & sisters, I was only able to stay for the 1st set, sadly. Somehow, I had gotten the impression that the Sweetwater was an all-ages venue; it wasn't, & so Rosie wasn't able to go in with us; she insisted that Kurt & I go in while she & Adam went to a movie. I felt bad about it, but she insisted, so we went in; still, it was cold, & I knew that along about midnight everything would be closed & they'd be SOL, so Kurt & I reluctantly agreed to leave after the first song of the 2nd set. First time at the Sweetwater! Yikes, it's TINY!!! Kurt & I got inside & started looking (through the mass of humanity) for the stage; I figured there was a backroom where we could go dance. Little did I know! So there we are, smooshed up against a whole bunch of other kind people grooving to Zero, while the poor cocktail waitress fought her way through the mob. Not much room to move, but I found some anyway, one way or the other. :) :) :) :) New bassist there, some young guy looked like he should be with Metallica -- Bless the Mother, though, that guy could PLAY! He was lay-ing down the phattest, tastiest bass lines; wow. Naturally, the rest of the boys were in fine form, with a really cool, slow cover of *Like A Rolling Stone* -- "when you got Zero, you got nothing to lose!" -- & an awful lot of other sweet tunes besides. Lots of stuff I didn't recognize -- I still don't know their songs by name, yet, so I can't tell you all what I heard. But, that's not the important part... names are just a title you give to that piece of time you just decorated with sound, anyway... & besides, when it's Zero, it ALL sounds good. But I'd like to get more familiar with thier music anyway. Tom Bockman (responding to Chris Cowles): >What is this "House of Bamboo" bit -- anyone have info on that one and did they actually do "Riders on the Storm" or was it just a riff or two? I also noticed that they've brought back "Did I Mention" which was always kind of lame ... but then again, I haven't heard that since '93 and maybe it has taken on new life. "House of Bamboo" was first heard (by Chip anyway) on an old Earl Graves album. I did some sniffing around/research into this one the other day at work and couldn't come up with anything at all. Its a funky/loungy tune and...well more on that later. "Riders on the Storm" was just a few vocals from Martin...and some "Layla" licks from Kimock that fit in *perfectly* behind Martin's voice...that was fun!! I hadn't heard "Did I Mention" in a long time either...and was completely enthusiastic! As far as "new life" goes, the band seemed pretty fired up this weekend (esp. Thurs & Friday).... >Was it "Sexual Healing," the old Marvin Gaye bit w/ vocals or was the opener actually "Tongue n' Groove" as was mentioned last week? There is a definite difference. Also, as debated months ago, it's just "Use Me" and Martin's lounge-bit "Tell Me All About It" was, I believe, written by Michael Franks -- but someone can check that one out. Ok-to ME it sounded exactly like "Toungue in Groove" from the old album, I'm not that familiar with "Sexual Healing"..so that wasn't what I was thinking. I couln't remember the name of "Toungue" tho', and asked both Kimock and Roland at the break and got the "our take on Sexual Healing" answer. After the gig, Kimock *did* say that it was "Toungue in Groove" though...go figure! Lets just wait till they play it again! I *love* those 'waves' of sound from the organ on that one!! "Use Me" is Bill Withers tune, with the most famous version(?) coming from Mr. Isaac Hayes' "Live @ the Reno Hilton" double album. (Funk+Strings=Fun) "I've got ways 2 make U" is from 70s synth jazz man Michael Franks, I'm pretty sure. Don't have the album...but I can double check this stuff later if anyone really cares (I know you do Cowles! :-) ) Bockman: HAPPY BIRTHDAY DANCIN' DAVE!! I'm usually pretty excited before the shows, but I was really pulling for the boys on Friday since Tanya had to miss the Thursday night show which ended up being a smoker with alot of surprises to boot. Frankly, I was doubting whether they could match (much less eclipse) their performance from the night before. Zero crushed my doubts with one of the most outrageous, and outrageously played, second sets I've ever witnessed. Lesson Learned. We arrived at about 7pm to find that all the tables were filled :-(, but soon noticed that some of the crowd were "Happy Hour" and we scored the table when they left. Zero (happy hour folks LOVED the name) turned in a trademark first set, a bit shorter than the night before, but definately leaving no doubt that they were here to play. "Cole's Law" managed to have the crowd calmed down after a meditative solo from Martin Fierro. The quiet intro to "Chance" continues to capture the attention of Zero fans, as you can hear them reacting once they discover what song it *really* is. What a great tune. "This is Your Brain on Drums" made another appearence, I recognized it as the definate "instrumental" opener from the (now famous) 3-16 Family Dog show, with some really fine bass work from Bobby Vega. He wrote this one, and its a real pleasure to watch him lead the band through it. This segued into "La Fiesta" which is beginning to become a major crowd pleaser judging from the enthusiasm of the house. This "Fiesta" was more developed than the previous night's with all players seeming to add more to their solos than last night, IMO of course. Chip Roland took off with a very entertaining, and unique sounding, piano solo which promted me to jot down "ragtime" in my notes. Probably not the right word to describe, but it sounded like he was hitting some definate 'new spaces' with the piano sound. Bringing up the energy with the piano attack, and then dropping right into a fat organ run....ahhhhhh yeah! Steve's solo was really wild as well, starting with some quick 'vamping'(?) chords that moved us "out" and away from the structure of the tune setting up an excellent improvisation. Blistering runs, very jazzy, the entire band working up a major head of steam now. They choose not to return to the theme (nor the lil' "blues tag" from Thurs.), just letting the air out for a kind of fade-out of an ending. Crowd was still enthused, and "The Weight" was a great choice to close on. Set 2 started with what sort of sounded like "Badge", but in Judge's words it "was only a teaser" and we got "Catalina" for starters, which always seems to work *really* well. On the newest version of the Zero mailing list sign-up, they left a spot for "1st show" and "Favorite Song" and "Golden Road" was winning by a landslide. A friend of mine wrote "Horses" so as to not lose his individuality...but "Golden Road" is his fave as well. The band turned in a *really* hot version, all the various "sections" or "alleys" were explored fully. The "guitar peak" in the middle was about as intense as it gets, and all the other jams struck me as happening on an extermely high level. Then it was Chip's turn with...well lets have Dr. John introduce it: "["Junko Partner"] was a New Orleans classic; the anthem of the dopers, the whores, the pimps, the cons." (-liner notes to Dr.John's "Gumbo" album) Chip didn't shy away from the illustrious nature of this one, digging deep and delivering the verses with alot of, well..Cajun spice! When I hear tunes like "Junko", tunes with such *history* and tradition, I can't help but meditate on all the other amazing artists (not to mention dopers, dealers, theives, etc. from the *other* side of the stage) who previously "passed through" this magical territory. Chip may have been "reeling in the years" too, as he encouraged the adoring fans to "thank Professor Longhair"-nice touch. I think I completely forgot about "Didn't I Mention", having only heard it once or twice years ago and not having a tape of it (**insert grovel here**). I was *really* psyched this night, sooo glad to be hearing the rarer material from Judge!! (still waiting on "Try a Little Tenderness") He spit these lyrics out with amazing spirit...I was amazed how comfortable he sounded with the lyrics, its as if he had been singing it the night before! Great lil' fire-up from Martin on this one too. "I've Got Ways" a.k.a. "Tell Me About It" served as a nice little calm before the storm that would break after midnight with Eric Clapton's birthday. "Badge" was an unbelievable choice. Judge sounds great with the growling vocals, and the rest of the band seems to feel right at home as well. They charged through the main structure of the tune with great abandon, it really was something to hear this one performed live finally...much less by a group as talented as Zero. The main riff suddenly was being transformed into...what's this??..."Gregg's Eggs"?!? Yep. It fit perfectly coming out of "Badge", and it actually sounded as if half of the band was *still* playing "Badge" while others were jamming on "Greggs Eggs"!! Very interesting. The improvisation continued on this high level for what seemed like an hour. Martin walked up to the mike and began to sing "Riders of the Storm", while the rest of the band was still jamming the Eggs/Badge improv, and when he sang the final "..riders of the storm"-Kimock unleashed this *major* "Layla" riff right underneath that worked soooo well I think some folks assumed it was part of "Riders". There were other Clapton quotes as well, that I can't place now, as well as a brief return to the "End of the World Blues" too! This will be one of those tapes where the labelling will go on and on and on.... "Home On the Range" was its usual stunning self, a real celebration of all the amazing music that had been created on this special night. Judge sang that he wanted a "Home on the Range, where the buffalo wander...and the guitar player don't change!!"-a reference to the shocking dexterity showcased by Kimock in this second set-following that up with, "Where's my Badge?". Kimock replied, and before you knew it there was another (brief) return to "Badge" in the middle of "HOTR". Kimock announced that it was, in fact, Eric Clapton's birthday and that we should all "show the *old* guy some respect". There's not too many people who can get away with such a comment...but Kimock is definately one of them. Sorry Angus Young! (aside- the esteemed guitarist of AC/DC once went on record as saying he could play faster/better/etc. than "old" E.C...I'd like to hear *his* take on "Badge"!!) The boys were dragged back for THREE encores, the first of which was "Afro-Blue". This struck me as a rather "serious" choice for an encore, apparently they STILL had some improvisations that needed to be unleashed. Encore number two was more of a traditional choice for the end of the evening, a nice funky stomp through "Use Me Up". It seemed like that was going to be it, but the band made yet another appearence with the debut of "House of Bamboo". This tune has a mid or late 1950s feel to it, sort of a cheesy bossanova beat with lyrics that detail what must have been quite a place (Joe's House of Bamboo). I'd never heard Zero take on reggae before Chip started doing "Can't Keep a Good Man Down" ("Many Rivers" not counted), and it seems like he has managed to push the envelope again...this time to a timeless lounge where all of our problems will begin to drift away. That's really why I go to shows anyway: to have all of my day to day stresses (or "load") transformed into something that may actually do us all some *good*, and to find that sense of "connectedness" with those around me who are all struggling with the same ugly weight... Taking a tune as cheesy as "House of Bamboo" and romping through it, transforming it into something completely different, finding something of value in something so easily overlooked...is the essense of shows to me...Hell, its probably my life's philosophy... "...You can find love if you care to look -where others may look away..." "...One man gathers what another man spills..." or even: "Take it, to the limit...ONE more time.." Well this has obviously gone on for long enough! Big Thanks to the band for such a nice showing of spirit over the weekend, and a big thanks to those of you who actually read all the way down to the bottom! Thanks for taking the time to visit a very strange place...my mind. cheers! we'll be seein' you at the Dawg!! tom P.S. Who's thinking about a roadtrip to the NorthWest? =============================================================================== Sweetwater - Mill Valley, CA 3/30/96 SET 1: Tangled Hangers Like a Rolling Stone Pits of Thunder Rigor Mortis Catalina Shape I'm In Afro Blue SET 2: Golden Road Riding with the King End of the World Blues Mystery Train Chance in a Million Spoken For ENCORE: Mercury Blues Richie's Rooster BAND MEMBERS: Steve Kimock Liam Hanrahan Martin Fierro Chip Roland Greg Anton Judge Murphy Banana (2nd Set) Sister Soul (Mystery Train) REVIEW AUTHOR(S): Dave Burgess ¥ Tom Bockman (responding to Chris Cowles) NOTES: Liam Hanrahan filled in on bass for Vega. Sister Soul (Chrissy) did vocals for Mystery Train. Banana provided vocals for Riding with the King. Dave Burgess: They played a great couple of sets Saturday, clear as a bell, just pure musical energy. There seemed a lot more improvisation, and working around with the songs this time. Liam Hanrahan joined on bass at short notice, and provided an inspired addition to the percussion by hitting a cymbal mounted on the wall. Banana joined for the second set. They had a female vocalist for Mystery Train, but unfotunately I didn't get her name to give her proper credit. She has a great voice though. Judge sang as well as I've ever heard him, I really get to like him. Steve's guitar I remember especially on "Chance" as it soared up to those peaks when you think "It just can't get any better than this" ... and it can't. Yes, the Sweetwater venue is really a sit-down show, with limited opportunity for dancing, but a great personal atmosphere, with the band so close before you, and moving around among the audience when not on stage. Tom Bockman (responding to Chris Cowles): >The big question, I would gather due to Bruce's posting earlier, who is said new bassist? Somebody already revealed the "mystery bassist" as Liam, but actually he was playing bass for Greg & Co. a long time ago!! While I'd never caught him before, he giged with the boys over the last 5-6 years. He looks really young, but he definately impressed me with his playing on Saturday, even working some fine solos into "Afro-Blue" and nicely pinning down the band on everything else, especially "Richie's Rooster". Way to go Liam! Thanks for keeping the ball rolling... we's appreciates it! >I smell something funky going about .... Well, what can I say...I enjoy a puff every once in a while and I thought that I could get away with it outside of the Sweetwater...boy was I wrong! You certainly are taking your chances in Mill Valley ladies & gentlemen...in the words of the long-haired bouncer..."this ain't the sixties" Nope, its not...but the weed is better, and the music sounds pretty fine as well. Just look out for folks under 30 with long hair....weird huh.... =============================================================================== Maritime Hall - San Francisco, CA 4/20/96 SET 1: Tangled Hangers Pits of Thunder Catalina Can't Keep a Good Man Down Possession Home on the Range SET 2: Chance in a Million Gregg's Eggs End of the World Blues Highway 61 Tell Me All About It She's So Heavy ENCORE: Mercury Blues Richie's Rooster BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy Bongo Lonnie John Morgan Kimock REVIEW AUTHOR(S): Tom Bockman ¥ Bruce Norbeck ¥ Sidney Greene NOTES: Tom Bockman: now the rap.... We arrived at the show a bit later than planned, unfortunately missing most of the Chambers Brothers. Most folks I spoke with really seemed to enjoy this band, each noting a different song that caught their ear. I wished we'd made it a little earlier as we could've used a bit more music than we ended up with. Zero hit the stage and the first few songs were marred by some sound problems (lacking mix & feedback). It seemed like it is was taking a long time for both the crowd and the band to find the groove. The first three tunes were standard (others described them as "sleepy") versions of familiar material, nice but definately not earth-shaking. "Can't Keep A Good Man Down" was the first tune to really show any kind of spark...crowds seem drawn to this song! Chip was leading the way, and Kimock and Martin managed to get off some great solos...one of the few tunes where "It" was happening to ALL of the band members at once. The fifth tune of the night, "Possesser", was the only realy suprise of the night, making its live debut. It sounded to me like a definate Robert Hunter lyric, though it doesn't seem to have anything to do with saving the trees :-)!! Some of the lyrics I managed to make out seemed to be telling the all too familiar story of someone being sentenced to prison on drug charges. Some lines spoke of the fact that the accused had "some prior convictions", and therefore the judge's "hand's were tied". The chorus was warning of a system that is there to make us "obey". A rather dark tune (even for Hunter), with a rather conventional rock n' roll musical accomp. that had a lot of the crowd paying close (if quiet) attention. Kimock got off a nice solo, but there is clearly alot more development ahead for this number...can't wait to see it again!! The set closed with a decent version of "Home on the Range" which was able to get the crowd up and dancing again before the set-break. I thought that the 1st set MVP would have to go to Martin Fierro who was able to plug in hot improvs into the midst of most every (all six) songs. The drumming of Anton and the familiar "conga guy" (wish I caught his name) were other highlights, but for the most part the band didn't seem to be playing together too well, or else I wasn't able to *hear* it....a bummer either way. Set two began after the rather strange choice of "Nanook Rubs It" (by Frank Zappa) ended the set-break festivities. Zero jumped into "Chance in a Million", sans the slow-Kimock intro that we've been enjoying recently. While the "straight-ahead" start of the tune seemed to work as an energetic set-opener, the jam at the end struck me as interesting at points...but not much of a break from the first set "normalcy". "Greggs' Eggs" was certainly a nice choice for the second tune (and probably the most well played tune of the set) but seemed to break down into individual bandmember's solos rather than the amazing group improvisations that we have come to expect from this band. Martin turned in a nice solo, and then Kimock showed some major technical dexterity...just none of it seemed to really "gel" to my ears. "End of the World Blues" was not what I would've picked to follow (I was hoping for something more upbeat...perhaps "Anorexia"?!?), and while it was well delivered it did not manage to pick up the energy at all. Again and again Kimock (to **MY** ear) seemed to be laying back and letting all of the momentum out of the tunes before he would take a solo. The rest of the band would be trying to keep the boat afloat while Steve waited to play his solo. While this *is* kinda characteristic of Kimock's style, it was definately working against the music tonight as he seemed to be waiting much too long before playing. "Highway 61" was "saved" during the final jam by Bobby Vega who managed to get the band to pick it up a bit and he counted (screamed) off "1..2...3...4" - amazingly breaking the band out of a deep sleep just in time to finish the song. "Tell Me About It" was nice, but not the 'shot in the arm' that this set was needing. "I Want You/She's So Heavy" closed out this rather frustrating set, much less excitingly than the version that "exploded" at the first set of the last (3-16) Family Dog show. Zero managed a pretty decent version of "Mercury Blues" for their encore, though it seemed that they frustrated by the night's rather mellow proceedings. This became really obvious when Chip led the band into a second encore of "Richie's Rooster" that seemed to surprise everyone *except* Chip. I was reminded of a little-league baseball coach I once had who demanded that after *every* game we run wind-sprints for the mistakes that were made during the game. It was as if Chip was the coach, as he demanded that "No one gets out of here until we get it RIGHT!". They did NOT get it right though, as most of the band simply scowled at one another waiting for it to end. Some of the band seemed rather upset w/ Chip for doing the extra encore....I think they just wanted to go home. They managed to finish the tune without physically attacking each other...and Chip told us to "Go Home, Don't Say Anything..." And that was it!! If you can't tell, I was pretty underwhelmed by last night's gig. While I am generally one who is easily impressed by bands I like...this was not one of those times. On this night a mellow first set (I've seen a few) was followed by a completely sleepy second set lacking any of the inspiration that the band has been known for recently. The encore was just plain strange....the guys all seemed pretty frustrated, and I was too. But hey...we all have bad nights and Zero shouldn't be any different. I'll be there the next time I have a chance to...I'm not scared. These guys are my favorite, and there is something endearing about being around them even when they're grumpy. Look out Chicago......they boys are DUE!!! Safe Travels to the Finest (& Strangest) Band in the Land!! still thinking about the Northwest, tom P.S. Meeting some of you fellow "net/zero-heads" after the gig was a real treat. Sure is great to connect with other smiling faces who are able to appreciate this complicated little band we have all fallen in love with.... Can't wait to do it all again!! Bruce Norbeck: Brothers & sisters, To a certain extent, my review of last nights show can be blown off as irrelevant, for three reasons: 1. I was operating under severe emotional baggage. 2. I was also operating on a large portion of mushrooms... :) 3. I'm not as familiar with the band as some of you others are. Having said that, allow me to add my dissenting opinion. Some of you mentioned the band seeming to be off... set list unsatisfactory, performance uninspired, band seemingly not into it. This was perhaps the ninth time I've seen Zero, & the fourth in the last month. I thought they were wonderful, myself; my only complaint was that I ate too many mushrooms, which made a major hash of my sense of balance, so I wasn't able to dance as I'd wanted to. I've learned my lesson -- next month, no mushrooms, more dancing... :) But as for the band being off -- I'm sorry, I have to disagree. Perhaps last night's show wasn't up to previous performances -- but I think that's in the ear of the beholder. I'm thinking that perhaps some of you are a little jaded, expecting the same high quality every night. As Tom pointed out, we all have our bad days. I didn't think it was a bad day, myself. The people I took to the show had, for the most part, never seen Zero before; some of them had never even heard the band. All were blown away; they all thanked me profusely for turning them on to such a hot concert. Every one of us thought the band was on fire, & that the set list was quite nice. I particularly liked the wonderful version of *Gregg's Eggs* -- very intense. I'm thinking that a bad day from Zero is better than virtually anyone else's good day -- & like I said, this wasn't a bad day, not to my ear. My only real quibble didn't come until I'd listened to the tape of the show, yesterday afternoon, when I realized that Steve did seem to be hanging back a little on his solos. But that was a minor quibble, & I didn't notice it during the actual show; I was pressed to notice it on the tape. >Tangled Hangers -- sweet opening. The brothers & sisters at the back of the room with me were ecstatic, dancing wildly, leaping & spinning throughout. >Pits of Thunder -- what a smoker... but that was where my balance problems began.... :( >Catalina -- nice, but I do wish they'd waited until later to play it. >Can't Keep a Good Man Down -- a highlight. Great job, guys! >Possesser -- cool song, though I don't care much for the chorus. >Home on the Range -- whoo-hoo, what a closer! >Chance in a Million -- nice second set opener. Wish I could have danced to it. >Gregg's Eggs -- I was stunned -- oh man, what a ripper this one was..... :) >End of the World Blues -- a very nice bring-down. I'm glad they chose a slow number, after the meltdown from *Gregg's Eggs*. >Highway 61 -- I would have preferred *Rigor Mortis*, or *Anorexia*, but it was hot; Chip sounded fantastic, I was shaking my head in awe after his organ lead. >I got Ways -- Martine sounds like a major class lounge lizard on this song; it strikes me as being almost satirical. I liked it better than last month's, myself. >She's So Heavy -- wow. I was feeling better by this time, so I could dance! :) > >Mercury Blues -- nice, up-tempo rocker. >Ritchie's Rooster -- first time I've heard it, actually. Cool song, lot of fun, nice closer. I almost thought they were starting a third set! Personally, I think that anyone who left before the second set missed a good show. Myself, I would NEVER leave early, unless I had no choice -- the Sweetwater last month being a good example. As for the Chambers Brothers... I was unenthused. I'm not much into their style of blues, & the nostalgia rush meant nothing to me; I'm not old enough to be able to appreciate them. My friend Kurt & Jan, who are both in their forties, thought they were a lot of fun; I would have preferred a much shorter set from them. Oh well... "cause we're just two different people, & we see things in different ways..." goddess bless, bruce (brucen@etak.com) If you want peace, work for justice. If you don't want either, work for the government. Sidney Greene: Hi zero family, Here'e my review of 4/20 at the Maritime: First, the Chambers Brothers set list: My Life Home Blues Love Somebody Momma Doctor Pain in my Heart Loving You Funky Can't Turn it Loose People Love & Peace = Happiness Time Now, Zero: I thought the first three songs came on increasingly well. Tangled Hangers is one of my favorites, and we hadn't seen zero in about two months, so as usual I was impressed with the range of sounds coming out of the players: Kimock floating clear, Bobby booming, Chip improving all the time, Martin right on, Greg looking a little wildeyed...Man, Zero is good. Pits of Thunder showed Judge to be in fine form with robust and clear projection, the band powerful - this version of Pits of Thunder reminds me of riding a horse that wants to run. Catalina as usual had a lilting quality with Judge, Chip and Martin all singing loud and poignant. The band found solidarity in Can't Keep a Good Man Down, featuring Chip... then they turned into a new song, Possessor, or Possession. My first impression of this song was of the same kind of strength and clarity as with Watchtower (one of my favorites) in a cohesion of sound and message: Watch Out. I listen forward to hearing it again. I can't remark on Home on the Range or Gregg's Eggs because my attention was ranging and scrambled. They could have played This is Your Brain on Drums and I wouldn't have noticed... They got some of their blues out with End of the World, lugubrious. Highway 61 came on strong - Judge again, with Chip playing REALLY well - and then Martin sang a heart-wrenching I Got Ways. They ended with Judge ON She's so heavy, with Bobby strong, Chip and Martin coming through again. I don't remember Mercury Blues (about this time someone in the front line went nuts, not just stoned or wild but actually gibbering, frighteningly crazy and we had to get Security up there). Just when it looked like the band was ready to walk off stage for the night, Chip piped in, "Wait, waitwaitwait not so fast," or something like that, and went straight into a fully feathered, talkin' blues "Ritchie's Rooster" wherein he told everyone including the band, "None of us are getting out of here until we get this right." Martin played his part when Chip told him, "Now's your chance, Martin" but when Chip called on Bobby, Bobby hid behind the amp and shook his head, ready to go home. Never can tell with these guys. I'm told this was not a very good night compared to recent shows, but I had a great time and enjoyed the music, though Steve smiled maybe three times max the whole evening, never soared like the times we all remember, and he and Bobby didn't play off each other at all. My overview: Steve was unforthcoming, (he NEVER plays badly, this just wasn't a great night for him) Bobby was reluctant, (held his line but didn't charge the place like sometimes), Martin was in an Apache pique, (which made for piquant and powerful blues) Greg was steady with a bit of that intense glare to his eye, Judge was strong and centered, and Chip was the Skipper, leading the band energetically, singing clear and strong with Judge and Martin. These are just my impressions; I could be full of chit. =============================================================================== Cabooze - Minneapolis, MN 4/26/96 SET 1: Cole's Law? Catalina Highway 61 Rigor Mortis? She's So Heavy SET 2: End of the World Blues Afro Blue Shape I'm In Chance in a Million Horses ENCORE: Mercury Blues BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Jeffrey G. Kragness (comments by Tom Bockman) ¥ Eric Doherty NOTES: Jeffrey G. Kragness: Here's Zero's setlist...there were a couple I wasn't sure of: Cole's Law (Tangled Hangers?) TB: "Coles Law" is the beautiful, dynamic, *slower* of the two tunes you mention, usually featuring amazing, aching solos from Martin & Steve. "Tangled Hangers" is an up-tempo, almost fusion-jazz like, number that involves a serious drumming attack driving under great Kimock riffs. Maybe this helps in identification...maybe not. If it does, please let me know. I could send you a tape with both of them on it, as a reward for posting the setlist. Same offer (free Zero dub) to whoever posted the chi-town list. Thanks a million. >Gregg's Egg (? starts with that big bass solo) TB: My guess is that this one is "Rigor Mortis", the Meters classic that Bobby Vega has redefined. "Greggs Eggs" is usually more of a drum solo tune. >Afro Blue (!! the highlight! They had a guest > saxophone: "Steve" from Minneapolis. > This is a John COletrane song..anyone know > what album!?) WOW! Sounds like quite a jam....I love it when they throw another horn (or cello :-) into the mix. "Afro-Blue" is actually a Mongo Santamaria tune that was popularized by John Coltrane. There's an outrageous version on the recently re-issued "Live in Seattle", though it is *very* avant-garde and at times sounds like buses crashing, cows screaming, etc. Of course at *other* times (its like 30minutes long before it cuts off) it sounds (to me) like beautiful music from angels. I'd listen before you buy. A better bet might be on "Afro-Blue Impressions" a live 2cd set from Europe circa '61...more conventional than the "LIS" version, closer to what Zero might be aiming for with their rendition. Perhaps I should tape *that* instead of the Cole's/Tangled Hangers, your call. We saw a good show Friday night. The Cabooze was full--not packed, but nicely full. Everyone had fun. New Sun Union opened. They had fun, too. Ended with Toucan Sam and Whipping Post. I assumed Mercury Blues was the encore, but then they left the stage and came back by popular demand and as they were taking the stage, there was a Cabooze employee on the mic telling everyone to save their breath. The guys played a few notes and then we heard the bar music come on. They couldn't even say anything more on mics as they were also shut off. So they just left. Steve did this thing with his arm where he held it erect at a 60 degree angle and then let it flop. I guess the performance was over. They played until past 1 a.m. (about 3 minutes) and MN is pretty strict about getting bands off the stage by one and people *out* of the bar by 1:30 call. ------------------------------------------------------------------------------- ---- Eric Doherty: Here is a long winded commentary on the recent Minneapolis show at the Cabooze (Friday 4/26). Also included is description of some NEW music (with many meanings) that some might be interested in. I've tried to send this before but it bounced back...hopefully I don't end up sending it twice. Zero had another successful show in Minneapolis at the Cabooze on Friday April 26th. This was Zero's second show ever in the Twin Cities, and if the crowd response was any indication it won't be their last. I honestly don't remember the last time I saw a crowd more excited about a show than what I saw on Friday (at least down front). Everyone was pumped up. They began the show with an instrumental (familiar to me but no name) with Fierro taking the first lead. When Kimock started his frenzy guitar work the crowd lost it. People were screaming and dancing to the sweet sounds of Kimock's guitar. The Cabooze is a nice and cozy place to see a show so Zero just filled the place with loud and powerful music. Since we do not get to see them much out here I did not realize how "full" their sound is. When they would wrap up a song it was like a train slowing down and coming too halt. Bobby Vega and Greg Anton were tremendous...just wonderful. I would guess that the crowd was at the very least 1/3 to 1/2 greater than last October and the ticket price was double at $10. I really hope they come back, and I know they are well loved here. I brought 9 people with me for their first Zero show. During the second set some of them would look over at me and say, "thank you." They were still talking about it the next day. It is a great feeling knowing that you've turned so many people onto such a wonderful band. We missed the opening band (local group-- New Sun Union) and arrived at 10:30pm just as they were tuning up their instruments. Unfortunately, I don't know all of their songs (instrumentals) and did not write anything down. When I go to a show I am there to dance and have a good time. I collect lots of tapes but don+t have the will to tape shows, worry about my deck, or even write down the songs. But I love those who do! I did see 4 mic stands and a lot of decks so I should be getting tapes at some point. For their last show there was one mic stand in the back corner. This time the tapers arrived early and got a better location. One of the highlights was a John Coltrane song with Martin Fierro and a guest sax player that Martin knew. In most cases a guest artist brings out the best in a band and Martin was really excited. Most details of the show are slipping away and all I remember are happy thoughts :-) My brain is saying, that was good--more please. The band finished up at 1am and went off stage. They came back shortly and were ready to play again but the Cabooze had to shut down at 1am. There is a Minnesota law about bars having to close at 1am, and Zero could not play anymore. The crowd wanted more and so did the band but alas the show was over (they had their instruments on but the mics were turned off). Maybe next time they can skip the opening act and start playing at 9:30pm :-)...we all love 3 hour shows. I only wish I could have seen them in Madison two days later. But for the five hour drive and work the next morning I would be there in a second. I think if Zero continues to return here on a consistent basis they can build a large following. Minneapolis/St. Paul is a second home for the Radiators who have been coming here since the early '80s. In 1990 the Rads outgrew the Cabooze and started playing shows at the Hyatt Ballroom and the Riverview Super Club. They always play two shows (one of them a private party) with probably 500-800 people at $15 to $20 a show (10 shows a year). =============================================================================== Cubby Bear - Chicago, IL 4/27/96 SET 1: Cole's Law Pits of Thunder Catalina La Fiesta Home on the Range SET 2: Golden Road Richie's Rooster Chance in a Million Use Me End of the World Blues ENCORE: Mercury Blues BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Mark Linton ¥ John Laitar NOTES: Mark Linton: This was my second live Zero experience, after having listened to numerous live shows on tape, and CD - this show was head and shoulders better than their last Chicago appearance back in September of '95. Great pace all night, with Steve in fine form and the whole band working quite well as a unit. There was a drum solo somewhere in there, maybe before Use Me Up (which was the nights' highlight - it raged!) Great show! John Laitar: Just thought I'd clarify the one song in question on Mark Linton's list, it was "La Fiesta". I talked with Martin after the show and got him to give me one of the napkins with the first set's list on it, so it should be acurrate. It was my first live Zero show and I thought it was great. I got up front right in front of Steve, where I met Mark from New York. I was slightly disappointed to find that Steve doesn't quite face the crowd, but looks more toward the center of the stage, which makes it easier for him to see the rest of the band, but harder for the crowd to see him. There were 3 mic stands set up and at least one more person with mics on him in the crowd, so several masters of the show were made. There was also one guy there video taping. =============================================================================== ?? - Madison, WI 4/28/96 BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): NOTES: Anybody out there??????? =============================================================================== Buffalo Theater - Ashland, OR 5/1/96 SET 1: Catalina Gregg's Eggs The Weight La Fiesta Pits of Thunder SET 2: Outskirts of Town Possessor Anorexia Afro Blue Highway 61 Chance in a Million Home on the Range She's So Heavy BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Fran Harris via James Taylor Jones NOTES: Hi folks, My husband James is on tour with the band this week, and has promised to call in setlists and show reports. So, first report was received at 1:15 AM this morning (just as I was going to bed after the Dose Hermanos "Dose the Water" show at Sweetwater). He said it was a good crowd - 300 or so - but not packed. Not bad for a small town! No opening bands last night. Tonight there are 3 bands on the bill - long night! I didn't get much of a review from James, but he said it was well played, good energy, but he didn't rave about it like after the recent sizzling Sweetwater shows. So I'd guess it was somewhere between good and great. More tomorrow. =============================================================================== Eugene Hilton - Eugene, OR 5/2/96 SET 1: Chance in a Million Horses Rigor Mortis Can't Keep a Good Man Down Possession She's So Heavy SET 2: Cole's Law Pits of Thunder Catalina Golden Road ENCORE: Mercury Blues BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy John Morgan Kimock REVIEW AUTHOR(S): Fran Harris via James Taylor Jones ¥ Tom Bockman NOTES: Fran Harris: Here's the latest from James, on the road with the band: He didn't get a setlist for this one, but said it was scorching show. The band was beaming all night. Sounds like a great place for a show, and the band loves to play there! Tom Bockman: This was our first gig of the tour, having missed Ashland (and "Anorexia") the night before, and we were ready. Met up with fellow net-heads to relax, exchange tapes, and sample fine NW microbrews...ah the good life! Skipped out on the two opening acts and made it down just barely in time for Zero. A lengthy hassle with our (lack of) will call tickets resulted in us missing the slow intro to the opening "Chance". A mid-size crowd, alot of people seemed really familiar with both "Chance" and "Horses". I thought the highlight of the set was "Can't Keep a Good Man Down", which ended up getting pretty jammed out. Martin takes a nice, fast, lyrical solo and then Chip and Kimock start an amazing conversation, back-n-forth. Steve would solo for a little bit and then throw it back to Chip who would mix it up and toss it right back..great runs over a solid rhythmic foundation. "Possession" is developing, I'd really like to check out a lyric sheet on that one. A spirited run through the Beatles cover took us to the setbreak. While the first set was well played, the energy level seemed to really escalate for set two. "Cole's Law" was the perfect choice to start with, the crowd was, thankfuly, quiet and attentive and very well rewarded by the band. This particular version of "Cole's" was very intense, a different kind of energy than I'm used to with this number. Martin's solo cannot go without mention, the guy is SOLID. Steve's solo was very psychedelic, building and building with notes bubbling out of the axe. This was followed by an unbelievable run through "Pits of Thunder". Judge was spitting the words out with verve, major mojo coming from Anton and Vega as well. Steve played a great accompaniment under Martin's solo, which went WAY out there...great atonal runs, just screaming out of the saxophone. Steve turned in a magnificent solo on "Pits", which is always an occassion to celebrate. Folks I spoke with (who know what their talking about-Doc & Crunch) described SK's solo as, "The Shit". Nuff' Said. "Catalina" was her usual stunning self, a real crowd pleaser for the folks of Eugene. The first of two fantastic "Golden Roads" we would get this weekend closed this very exciting set. Chip's solo deserves a close listen for those lucky enough to have tapes. A grooving, rolling Hammond experience that hit some spaces that I've NEVER heard before. At the grand finale of his solo, he even ran through the middle "guitar crescendo" that Kimock usualy hits in the middle of the song -great idea & execution. I think it may have been too much for the rest of the band as they hesitated for a minute (Vega almost leading a transition into "Use Me"), before settling into the closing "Golden Road" jam. The set was only four songs, but I don't think anyone felt slighted since it was late and the second set was SO well played. The encore was a terrific "Mercury Blues" featuring an animated Steve Kimock unleashing some serious slide. The Hilton is a fun place for a gig, especially for those who stayed there and didn't have to think about transportation until morning. The band was in great spirits and playing well. The first set was fun, but the second set was "Something Else"...if you like the songs they did, you will need to get a tape. Off to Portland!! =============================================================================== Roseland Ballroom - Portland, OR 5/3/96 SET 1: Tangled Hangers Catalina Shape I'm In High Lonesome Possession Chance in a Million Drums* SET 2: Anorexia Mercury Blues The Weight La Fiesta If the Trees Go (?) Use Me Tell Me All About It Papa was a Rolling Stone Gregg's Eggs ENCORE: Badge BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy John Morgan Kimock REVIEW AUTHOR(S): Fran Harris via James Taylor Jones ¥ Tom Bockman ¥ Jeff Templeton NOTES: Fran Harris: * The Kimocks (Steve and Johnny Morgan) remained on stage throughout the set break, drumming together. As the rest of the band came out for second set, they all joined in. Sounds like essentially a drumming circle with Johnny in the middle. The crowd loved it! Another scorcher. Again, James wasn't very big on details, but he did say this was a special kind of show. Guess ya had to be there ... More from Seattle tomorrow, Tom Bockman: We said goodbye to Eugene and headed up I-5 to Portland, finding an unexpected hail storm (!) along the way. We're just lucky it wasn't another one of those crazy Northwest earthquakes! Lunch involved fine Portland seafood, discussing the odds of hearing "Baby Baby", and...oh, yes...more fine Northwest microbrews. The Roseland Theatre looked sketchy after our first drive by. Turns out that the windows were busted out due to some renovation in progress...so it just looked like a crackhouse. Didn't matter once we made it inside though, similar to the Fillmore the show is upstairs, and there is a large dancefloor and a small balcony that hangs above that. We'd heard Zero had really put on some great shows in the past here, we hoped they'd remember that was the case! No openers tonight (or in Seattle), so Zero had all the time they needed to cast their spell over the audience. "Tangled Hangers" showcased some nice leads while the slowpokes made their way into the theatre. "Catalina" and "Shape I'm In" were both outstanding. Great vocal deliveries from both Judge and Chip really drew the Portland crowd into the excitement. Martin had a fine solo on "Catalina" and Steve's work on "Shape I'm In" had me thinking that it was good for The Band that they weren't coming through Portland until a few weeks *after* this performance (5/25 Roseland Th.). Couldn't you see it? "Great show Levon, but you shoulda heard these boys who came through last week!" The not-too-often played "High Lonesome" was the clear highlight of the set. Great, extended improvisations were the norm as Zero worked their way through this exciting tune. Bobby Vega's talented work on "High Lonesome" led to a flurry of "what was that bass-jam called??" questions during the break. Before the break though, we got two more renditions of "Possession" and "Chance". I'm beginning to enjoy "Possession" more with each new listen, probably due to growing familiarity. This one had the finest solo yet from Steve, and Judge is sounding more comfortable with the lyrics. Personally, I'm glad that someone (Anton/Hunter??) has finally dared to question the Amerikkkan "justice" system in a song...I wouldn't look for it on the radio though. Great verses and a catchy chorus ("Possession, 9/10ths of the law they say..."), built around a rather 'dark' sounding arrangement. I haven't caught all the lyrics yet but they seem to detail the all-too-familiar scenario facing many non-violent "offenders" today. One verse mentions the defendant has "a couple of priors" which prevents the Judge from using his discression. Anyone who has witnessed the workings of the no-tolerance, manditory-minimum system we've got today understands the problem. 5grams of crack = 5 years in prison. No matter what the circumstances of the bust were. Sort of a federal downsizing, where Judges are replaced by paranoid legislation and computers that calculate the "debt to society". Luckily for the character in the song, being friends with the D.A. keeps him from rotting in the big house. I suppose he's singing this song, for those without such "good luck". The boys were all gathered around Chip's gear working out the setlist for the second set, which we took as a good sign. Sure enough they kicked off the set with a great take on "Anorexia", which we'd been clamoring to hear again for the last few months (but missed in Ashland). It was a textbook version, with Vega's rolling bass line, an incredibly soulful stop at Chip's keys, and an energetic improvisation from Marin Fierro. "Mercury Blues" was a serious choice for the first vocal of the set, the dancefloor was definately moving by this point! "La Fiesta" remains one of the most exciting tunes these guys play, it seems to always leave the audience in a trance of some kind. It was new song debut time after that with the arrival of (I'm calling it) "If the Trees". I think this is the tune mentioned a few weeks back as having recently been penned by Robert Hunter for a "Save the Trees" album that Zero has agreed to perform on. The only lyric I can remember was something like: "If the Trees disappear, won't we?" This was my first listen, so I can't say too much (lucky for you!), but the three part harmonies had me thinking back to some of the late 80s GD material for a similar "sound". That analogy probably says more about me than the song, so go get a tape. Bobby Vega then unleashed the "Use Me" that he had up his sleeve in Eugene to great effect. THAT was a full workout, so the following "Tell Me About It" was a great selection that allowed us to catch our breath and watch them work. This heads-up playing continued with the amazing closing jam of Papa->Greggs->Riders->Greggs. This was already a long show, and then to tear through *these* tunes to close was really too much. "Papa" is always great to hear and when they led it into "Greggs Eggs" the place went nuts. They packed alot of jamming into this last section, and when they finally returned to the "G.E." theme at the close...people were gasping for air. As we demanded an encore, a fellow Zerohead asked me "What are they supposed to do after THAT??". "Badge" worked as an encore, not as exploratory as the March Sweetwater version, but very enjoyable. It was fun watching the Portland crowd slowly realize what was being played! This has to be a pretty difficult tune to pull off, cause a few of the boys (no names :-) had those confused, "where's my badge" looks at different parts of it. I don't think too many folks noticed though...it was a great encore. This was my favorite show of the 3 I saw. Some other folks went with the Seattle show, which is pretty close in my book. At least we weren't forced to choose only one to attend! A great time was had in Oregon, friendly faces every step of the way. It was great to see some of those faces night after night, as the good people of Eugene and Portland realized that they had "Zero Plans" for the weekend and decided to make their way North to Seattle. All aboard!! Jeff Templeton: I would like to offer my thoughts on the Zero show in Portland on last Friday evening (5/3/96). They opened with a fairly sweet version of "Tangled Hangers" featuring nice solos by Martin and SK. In my notes, I wrote *goosebumps already*. The version of Catalina that followed featured some good guitar by SK towards the end, but otherwise was fairly run-of-the-mill. Shape I'm In was, as always, fun with the keyboard sound reminiscent of the Band's version. The next tune was a first for me, and a mighty fine one indeed. It began as a mellow instrumental with SK at the helm then switched into a much funkier sounding tune. At break, Chip said that this song is called High and Lonesome. A short Rigor Mortis-like bass line lead into another new tune called Possession (?). Although this is kind of a dark song, it packs a poignant message considering some of the ugliness out there. The relatively more uplifting Chance in a Million finished off the set. As you all probably know by now, during set break we were treated to sweet jazzy jam by the Kimocks, with Johnny on drums and Steve on guitar. Greg then joined Johnny at the kit, and the two belted out a mighty fine drum segment. I also enjoyed meeting some Cali Zero fans up from Berkeley during set break: Jeff, Kevin, Ken, and Rich (sorry if I messed up your names, but it was cool meeting and talking with you nonetheless). Anorexia started the 2nd set, which was followed by a rockin' Mercury Blues. The version of The Weight that followed was very nice as I knew Zero had started playing this tune and was psyched to see it finally. La Fiesta (another new one for me) was quite a fun and enjoyable tune. La Fiesta went into an obviously new tune that has something to do with forests dying. The tune has thoughtful lyrics, and it was definitely worthwhile to see a tune in its infancy even though it was a tad choppy. Next came Use Me Up, which was quite simply *out there* in terms of its jamming. Martin's Vegas lounge tune provided a little break for what was to come next. It was after this tune that this already well played show took off into the stratosphere. Tell Me About It lead into a scorching version of Papa Was A Rolling Stone. Towards the end of Papa, Martin sang the "Riders on the Storm" chorus, then boom, they launched into a HOT Gregg's Eggs with absolutely mind blowing guitar playing by SK. For the encore I was hoping for the elusive (at least for me) Little Wing, but better yet we were treated to a great version of Badge! To me, Zero shows are by far the ultimate live music experience, and I would just like to offer my humble thanks to the band for another wonderful show in the rose city. =============================================================================== Backstage - Seattle, WA 5/4/96 SET 1: Tangled Hangers Chance in a Million Horses La Fiesta Shape I'm In Home on the Range SET 2: Pits of Thunder Forever is Nowhere House of Bamboo Highway 61 End of the World Blues Golden Road She's So Heavy ENCORE: Afro Blue BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy REVIEW AUTHOR(S): Fran Harris via James Taylor Jones ¥ Tom Bockman NOTES: Fran Harris: Another stellar performance to round out a fun tour! Now begins the 800-something mile drive home. Can't wait for Santa Cruz this Friday! I'd love to hear more details about these shows, if anyone on this list was there. James has been calling in reports as soon as he gets back to the motel (1:30-3:00 am), so details have been sketchy. (Generally, I barely even remember the phone call - just find this scrawled setlist on my nightstand the next morning ... maybe it was all just a dream? ;-) Tom Bockman: The final show of the NW tour began with "Tangled Hangers", just like the night before. While "Baby Baby" nor "Tongue in Groove" had been attempted yet, and would've worked well for openers, I wasn't disappointed with another great version of "Tangled". Chip led the boys into "Chance" with a some nice slow organ fills before Kimock joined in. We heard "Chance" all 3 shows, and I think this one was my favorite...a really fine closing jam with Kimock just screaming. The next three tunes ("Horses", "La Fiesta", "Shape I'm In") were all played extremely well, as they had been earlier in the tour. I must say that the band seemed to be having alot of fun, and it was reflected in the intensity of most everything they touched...even the repeats. We hadn't heard "Home on the Range" yet, so maybe it seemed particularly fresh, or maybe it was really *that* good of a version! Steve was really wailing and Chip definately nailed his part as well. "Pits" led things off and the band sounded on from the start. This was the first night I'd noticed the slide guitars on stage, and we were treated to a fantastic version of "Forever is Nowhere"...what an amazing composition. Martin always seems to mention the name of this tune after they finish it, probably a good sign of how much they enjoy playing it. And judging from the intense concentration and soulful dancing from the Seattle crowd...they really enjoyed listening to it. They continued with some more tunes that we hadn't heard yet, including our second encounter with Soho Joe and his "House of Bamboo". This was, of course, great fun -especially in a town that seems to have a special appreciation for espresso! I should mention the new addition to Chip's setup, a cowbell. He's got it rigged on the organ and beats it with a stick (bamboo?) in order to free the riddim from deep within his soul. It did add an enjoyable dimension to the percussion throughout the weekend, not quite as lush as when they play with the conga guy (I love that)...but definately a cool addition to the sound. "Bamboo" resulted in a well deserved ovation; Seattle is a very hip town, "House of Bamboo" is a very hip tune, it was unavoidable. Kind of similar to the chocolate->peanut butter medley. Anyways, Chip was obviously on fire and he kicked off "Highway 61" with a nice elec. piano run. We hadn't heard this or "End of the World" yet, and got exactly what we were waiting for with both of them. A colossal version of "Golden Road" was an exciting surprise for me...I didn't expect another one so soon after Eugene. Fantastic execution on this one, Kimock surprised me (again) by slowing down the jam *completely* in the middle of the tune...very different from the "normal" (whatever that means) way these guys do it. Out of the (near) silence, he charged into the familiar run of notes that is usually the "peak" of this middle jam. Usually he squeals that run over the rest of the band's amazing accompaniment, but this night it stood (almost) alone...very cool. Methinks *that* may have been what Steve was shooting for in the Eugene "Golden Road", when it got really quiet and Bobby suggested "Use Me" before they did the closing jam (see 5-2 set II review). Of course I could be waaaay off on this, I'm curious what others think. "I Want You" was 'gravy' after the full out experience of "Golden Road"...and the gravy wuz good!! "Afro-Blue" did seem to share a psychic/spiritual connection with the beautiful earlier version of "Forever is Nowhere" ...just like Chris mentioned. This really was a great show, maybe even better than Portland. But judging these things is so subjective it really comes down to song choice or the mood one is in. And in Portland they played **"Anorexia"** and we were BLISSED OUT! Thanks for an amazing weekend Zero, there ain't another band that can touch you guys. -------- Random Notes: Bobby Vega (I think) might be featured in one of the BASS magazines, since I saw alot of folks looking through what looked to be one. Anyone know for sure? During the intermission in Portland he seemed to be hosting a mini-workshop, giving some tips to some young folks who had great seats for the entire performance right behind Bobby. I bet *they* all want tapes of "High Lonesome" too. Martin mentioned that he played some sax over a track ("Blues Yodel #9") that Jerry Garcia recorded after his final summer tour. This (I guess) is the "final" recording we'll get from Jer and I think its great that Martin will be a part of it. It'll be released on an upcoming Jimmy Rogers tribute coming out sometime. I mentioned to Anton that next time the tour should keep on rolling up to Vancouver. He agreed and said they'd love to do a gig up there, but didn't know of a venue "that would be good for Zero". I've never spent much time in Vancouver, but maybe some of you have. I suppose this would be as good a place as any for requests/suggestions...so lets have 'em!! I completely concur with Chris Cowles' remarks of a few weeks ago about hitting the road with Zero. This was my first time out to see only Zero, and had the time of my life. As one who has spent considerable time following *other* folks to exotic locales, I must say that Zero tour has many advantages over the larger scenes some of us are used to. Anyone "on the fence" with regards to following these guys is wasting time. Great to see other enthusiastic folks out here night after night.... from FLORIDA no less! Speaking of enthusiastic people....everyone I've met through this e-mail list strike me as the "creme de la creme" of the Zero crowd. Doc and Cruchie were kind enough to open their rental car, hotel suite, and tape collection(!!) to us and we say THANKS. Also very cool to spend a few moments with Chris and Brian (NW local boys) who enjoyed having such a fired up Zero in their home towns. Hope we can come back to your part of the woods soon and do it all again. We'd love to see you all down here in Santa Cruz sometime. Think about it, you've got til Friday. :-) Thanks again to Zero...hopefully we'll catch you in Colorado this summer!! =============================================================================== Palookaville - Santa Cruz, CA 5/10/96 SET 1: Tongue in Groove Chance in a Million Possession Pits of Thunder Junko (Junco) Partner Mercury Blues SET 2: Afro Blue Percussion>Jam Highway 61 The Weight Home on the Range ENCORE: Richie's Rooster BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy John Morgan Kimock REVIEW AUTHOR(S): Tom Bockman ¥ Fran Harris ¥ Bruce Norbeck ¥ Tom Bockman NOTES: Tom Bockman: A real amazing show is all I can manage at this late hour (posted 5:43 am pst) Fran Harris: That's more than I could manage last night! It was truly an amazing show. The crowd grew in numbers and enthusiasm all night, even though John Mayall and the Bluesbreakers and Robben Ford were down the street at the Catalyst, and even though Neil Young had played stealth shows at the Catalyst the past two nights. It's great to see Zero getting more and more established loyal "gotta-be-there" type fans. James says the shows (from NW tour through this one) have just been building in intensity - and even in the magic, love, and fun. What great fans to hang out with, and what great music to pull us all together! Toungue in Groove (aka Sexual Healing) was a great opener. Whole first set was well played and everything jammed out nicely. By halfway through first set, I think we all knew we were in for a great ride. Second set was lots longer than the setlist would suggest. ... since the jams seemed to take on a life of their own. Incredible second set! Afro Blue and following jams were absolutely beautiful. Always a fun one to send everyone home dancing with a smile on their face ;-) The rooster crowed last night for sure!! If you can't tell, I'm getting really addicted to this band. I'm not planning on missing too many shows from now on. This is scary, folks -- I've got a day job! Sounds like there may be some really fun new break outs coming our way soon. Hopefully at the Maritime Hall next Saturday (5/18)?? I know I'll be there ... just in case ... Peace, Fran Bruce Norbeck: Brothers & sisters, Yes, it was a fine performance. I should point out that, in addition to Zero's serious jam, we got treated to a fine gig by a unknown band, The Gary Gates Band. When they first went on, the floor was empty, save for a few souls dancing; within minutes, though, the place was filled with spinning people. This is a fine group, folks -- if you get a chance to see them, do it. I talked to Gary Gates during Zero's intermission; he told me they had been together only 6 months. Great bluesy-feeling tunes, & Gary is one heckuva guitarist; I even started wondering if maybe he was missing a finger-tip... :) I should be getting my copy of the tapes sometime this week, so if anyone out there would like a copy, let me know. From what I heard from Jan, the tapes came out nice, with not a song-cut to be found. We even caught the encore from Gary Gates, so wecould check it out later. Tom Bockman: Tanya and I began our sleep deprivation experiment on Thursday, catching the second of two "stealth" Neil Young/Crazy Horse gigs at the Catalyst club here in Santa Cruz. This isn't the place, but I have to say that I was completely amazed with the 3 hour gig. We generally go for gigs that feature serious musical virtuosity, and it took a while to get used to Crazy Horse's sound, but we were completely blown away. Anyone with access to tapes, can blackmail us at will. After a fine pre-gig sushi extravaganza, we made our way down to Palookaville. The opener was already on, and I must say that the crowd really seemed to be enjoying themselves. Zero-family member Liam Hanrahan was handling the bass duties for them, and it seemed to be working out well. The Gary Gates Band was much more to my liking than the last (infamous?) opener at Palookaville (Zoo People), who I thought were trying just too damn hard, or something. The keyboard, bass, drum, guitar line-up of the Gary Gates Band worked much better (to my ears) than the completely chaotic multi-percussion, multi-guitar, wannabe Allman-related sound of the Zoo People. "Get Out My Life Woman" was a nice touch for the closer, definitely leaving the crowd primed for the much-anticipated Zero sets to come. This Gary Gates/Zero bill sure would be great for a future Family Dog --whoops!--, I mean, Maritime Hall gig. I'd been telling everyone in Santa Cruz what an incredible time we had on "Zero Tour" in the NorthWest, and was hoping they would come through with a killer show for my curious local amigos. Being the pros they are, they turned in an unbelievably tight first set that left no doubt that.....No, T & T are not taking trips and hallucinating great music....this is REAL (not to mention 'really trippy'!). "Tongue in Groove" hadn't been played since the March Sweetwater run (as far as I know), and was a monster. Kimock had the lap steel out for the opener, which I took as a good sign, and really made it sing. Martin was right there with beautiful flowing improvisations, and Chip, Bobby, and Gregg were all *right* on target as they flew through this most beautiful tune. "Chance in a Million" was sporting the smooth, silky introduction that I enjoy, and the Santa Cruz crowd really seemed to 'plug-into' this tune...it seems to be the one Zero song you know, if you only know one Zero song (ouch! :-) Kimock treated the crowd to a fantastic lap steel solo on "Chance" (which we didn't hear in the NW), and the boys received a well earned ovation (or was that a riot? These S.Cruzians are a LOUD bunch!). Alot of CA folks got their second look at "Possession" since its debut at the last Family Dog Zero gig (4-20). The tune kept advancing on the NW tour, but tonight it had a completely new instrumental introduction that featured Bobby and Chip leading the expedition. I've heard the tune described as "dark", which I don't think is necessarily wrong. This is a *heavy* tune, and it can be pretty demanding on your mind. We were especially taken with Martin's amazingly lyrical solo, you could almost hear the words coming out of the saxophone as he improvised. There's an old, famous quote by a jazz sax player (Ben Webster or Coleman Hawkins-I think) who said that he always "sang" the words, in his head, while playing the over the changes of famous ballads. His meditation on the words of love songs brought the spirit to his solo, as he connected to the music in multiple ways. I'm not Martin (Chut-up!), but it seemed like he was definitely really involved in his solo on "Possession". The lyrics are not exactly what I'd term a "love song"...actually I think it is more akin to the 'cowboy tunes' that the G.Dead used to beat us over the head with :-). You see, Robert Hunter wrote all those tunes about drinking, fast women, bad luck, gambling, and murder for the G.Dead to take out on the road....and over the next 20-30 years the band and the heads lived them. Now that the Grateful Dead "Western" has come to an end, Hunter has given us a new tale of rustic adventure and darkness, and this is our story. It is the sequel to "Tennessee Jed" or "Friend of the Devil", born from the experiences that came from our time on the road with the Dead as we grooved to the loving, cautionary tales featuring characters like Charlie Fogg, the Dire Wolf, and...oh,yes..that sheriff who wants us to "spend our lives in jail". That sheriff is bigger and badder than ever, and Hunter has given us "Possession" as both a celebration of the previous era, epoch, plane, or "Western" as well as a cautionary tale to be shared among brothers and sisters as we take this bus Further. Course that's just what I think....and people tell me I'm crazy all the time! "Pits of Thunder" was powerful as it usually is, the rhythm combined with the amazing lyric seem to bring out the best in the crowd as well as the soloing musicians. I don't think they nailed it quite as hard as the Eugene version, but Judge was really spittin out them words well. By this time Palookaville had been transformed into a spiritual revival of some kind as we all bopped on the conga drum and paid tribute to the amazing mustard seed. One of my *Favorites* was up next, with Chip turning in a great version of "Junko Partner"!! I'm stoked everytime they bring this one out, and this may have been the best one yet. Major back-n-forth interplay between Chip and Kimock, a great Fierro solo, and an impassioned vocal delivery from the Chip-man made this a memorable tune. Gotta mention the out of control keyboard solo on this one, I think that Chip was trying to drive his equipment into the ground. Speaking of being driven into the ground, "Mercury Blues" completely rocked out the end of the first set. Kimock led us in with a nice slide introduction before Bobby and the rest of the band jumped on board. Zero was happening on a very high level, and they really couldn't seem to do anything wrong. The entire set was THICK with outrageous solos from Steve (whoa!), Martin, and Chip but the ensemble playing was perhaps even more amazing. Very exciting music, and a very happy crowd as we settled into the intermission. ---------------------- A quick look at the setlist indicates that this was not one of the longer second sets. There's alot more that is not revealed by the setlist alone though! I agree with Fran who thought that it seemed much longer than simply four songs...this was some dense material. And while Zero wasn't able to turn in a marathon second set (e.g. 5-03 Portland OR), they definitely had enough time to make *IT* happen in a major way for set II...and that is what really matters. There was NO way we weren't getting an encore after this set...all in all this was a MUCH more fun time than the last Palookaville experience (2-24). Zero began set II with Mongo Santamaria's "Afro-Blue", the same second set opener as the last Santa Cruz gig. While I don't have a tape of the 2-24 version, I can tell you that this latest take was the most developed I've yet heard. The hypnotic percussion was the first development, and the Santa Cruz crowd picked right up on it. "Afro-Blue" was composed by conga-master Mongo Santamaria, and there is no denying the major role that percussion plays in its delivery. This version was perfect, aside from a slight misstep early on by Chip (nice recovery though), and began to take off with Martin's improvisation. This "Afro-Blue" is the jewel of this set, the fine Fierro solo being allowed to "air out" into peaceful near-silence before that unmistakable, slithering rhythm makes her return. Steve then took control and delivered another amazing masterpiece by way of the lap steel...the range of tones and colors realized were amazing. Again the improvisation gave way to a gentle meditation before the percussion brought the spirit back into the groove. At this point the entire hall (well, most of it) began to pick up the "beat" and bang it out on their hands, or on the floor or tables. I was completely amazed...it was just one of those totally COOL moments that no words (no matter how many :-) can possibly capture. Kimock responded (rewarded?) the crowd with another great run on the lap steel, just soaring(!) over some great drumming and the dense bass/organ underpinning that was such a part of *every* tune this night. Chip's solo served as a fantastic place to LEAP right into "Highway 61" and he drilled his usual opening bit....a great rush with Martin hitting the intro particularly hard. The crowd loved the transition (great surprise for a lot of folks) and the momentum was kept up through out the entire song. "Highway" can be just sooo powerful sometimes, and on this night- serving as the first 'vocal' of the set, and coming out of such an amazing "Afro-Blue" improvisation, not to mention the power of the transition and ALL of the solos- really made for QUITE an experience. God was laying down the law to Abraham.... but also dropping a few important tips on getting rid of the barrage of "red, white, and blue shoestrings" (blindfolds?) that we'll be drowning in (probably through at least November) as the numerous Louis the Kings try to convince us that our telephones are in still in tip-top shape.... Don't buy it folks, beware of their "toll-free" numbers...there's work to be done, and no little nose bleed should slow anyone down! Don't sweat the road-signs, road-blocks, or even the road-kill...just keep on rumbling, tumbling, and stumbling with Poor Howard toward the only place we'll know....past the bleachers, bring some sunscrean...and find the your spot along the Highway...there's gonna be a killing. "Afro-Blue" --> "Highway 61" was just huge. It took everyone a few moments to catch their breath, and then we were treated to a very soulful version of "The Weight". Zero seem to really enjoy visiting The Band's music, and this was no exception. Bobby Vega was the obvious star on this tune...he'd been gaining momentum after each song, and by this time was ready to totally lead the way through "The Weight". I was amazed by the richness and depth of Bobby's tone on this one, his playing seemed to rise right UP through the rest of the band. He painted stunning figures around all of the different changes of the "Weight", driving the rest of the band to higher peaks. A truly great "Home on the Range" closed this set, the music was definitely playing the band throughout. The "Went up the mountain" verse was a revelation as they (esp. Bobby Vega (!!)) completely "funked it up" adding an exciting (new) dimension to one of our favorite tunes. The classic jam at the end was exactly as we like it...wildly intense :-) !! The "meltdown" section of the closing jam was also noteworthy...Anton leading the way out of the ether and into the "shuffle jam" with some great timekeeping and a great flourish at the end. Zero got the ovation that they deserved, and Santa Cruz got the smoking Zero show that we've been waiting on since...well, it was worth the wait!! I thought Bobby got off a couple "Use Me" notes off for the encore, but we got the "Richie's Rooster" that we'd been waiting on for the last few shows. It was a fun encore, if a bit truncated, with nice mini-solos from the boys. They closed it up with Kimock hitting the instrumental "cockle doodle do", instead of Chip singing the last verse....I think they were running out of time. No matter though, the show was a huge success...and we definitely got our share of some bad chicken moves. The feathers we're flying!! Can you dig it? =============================================================================== Maritime Hall - San Francisco, CA 5.18.96 SET 1: Tear Tags off Mattresses Anorexia Chance in a Million Possession La Fiesta Catalina Drumz SET 2: Pits of Thunder Like a Rolling Stone Listen Here Strawberry Fields Junko (Junco) Partner Gregg's Eggs South Side Strut Love the One You're With If the Forests Die ENCORE: Satisfaction BAND MEMBERS: Steve Kimock Bobby Vega Martin Fierro Chip Roland Greg Anton Judge Murphy John Morgan Kimock REVIEW AUTHOR(S): Fran Harris ¥ Bruce Norbeck ¥ Tom Bockman's Pre-Re-view ¥ Bruce Norbeck NOTES: Fran Harris: Sweet Virginia got the evening started with a high energy set of psychedelic/Athens sound/grunge/bluesy sound. Hillary has an incredible voice, and Zero-heads received the band enthusiastically. They did a really fun "Why Don't We Do It In the Road" for an encore. I can't remember enough details to do a song-by-song review (as usual), but jsut my overall impression. First set smoked! Everything got jammed out fully, and just when you thought a great jam was ending, they would take it out to another level. Great solos by everybody, Judge's vocals were in fine form, and Steve's guitar work blew me away. During set break, I heard several people say something along the lines of "Wow - I gotta quit missing these guys". A few more sets like that, and I think they'll have a lot more gotta-be-there-every-show fans. I had *extremely* high expectations of second set, and while second set was still ripping, it never quite hit those expectations. (Like they say, expectations are just premeditated disappointments :-). There was plenty of good music there, but it just didn't quite seem to keep the energy and momentum of the first set going. Like a Rolling Stone stands out in my mind as being particularly well played, and the sing-along Strawberry Fields was beautiful and touching. The Satisfaction breakout for an encore was really fun. I think with more rehersal they can jam it out a lot more, but there's nothing like the excitement of hearing the first one! See you Thursday at New George's for Judge Murphy & Friends! Peace, Fran (who is now a gotta-be-there-every-show fan ;-) Bruce Norbeck: Yes, they did. Too bad that was all of this band thatI heard; got there late, oh well. I can't/won't say much more; nothing more to say. Those of you who were there know what the show was like. Those of you who weren't, read the set list; you missed a very special show. Sadly, Jan wasn't there to record the show, so I had to negotiate with tapers int he balcony to get a copy. I only found three people taping, all three of whom were on the board. They told me there had bewen a nasty buzz on one channel of the board throughout the first set, & were pretty sure the first set was unlistenable as a result. But one of them promised to make me a copy of the second set. I'll let you all know if/when I get it. However, I'd really prefer an audience tape, because I'm afraid that *Strawberry Fields* -- see below -- won't come out right, on a board. Anyone have an audience tape? I've got tapes to trade! I'd say there were three highlights -- *La Fiesta*, *Gregg's Eggs*, & the incredible, hushed *Strawberry Fields Forever*, with the audience singing along. That last was magikal; I'm getting tears in eyes now, just thinking about it. I think John would have approved. Finally, my gratitude to the band, for pulling out those songs. goddess bless, bruce Tom Bockman: Since there seems to be some confusion re:the setlist, I'll do my best to further cloud these murky waters. I haven't had time to do one of my reviews yet (just woke up from an 18 hour "nap")...but I promise I'll have PLENTY to say about this one. Probably alot more than any of you unfortunate east-coasters would really want to know 8-) Quick Review: The band was excited. The family conveined. The boys rocked set one. The boys really rocked set two. Thanks for the new tunes guys....we always knew you cared ;-) Expect a legnthy review sometime this week. Now that I'm awake again, I've got some chit to take care of....and well...you know. Any information re:a rumored gig in San "Rockin" Ramon on Sunday...would be really great! Thanks again to Zero and all of the lovely spirits who made it to the Maritime Hall for this special event. In the words of one of the true Masters, "We love you madly"!! ...got my big feet out the window and my head right here on the ground... Bockman (round 2): *************************** THANK YOU JOHN CIPOLLINA *************************** This was a REALLY exciting show. Hopefully a tape of the first set can be located!! I called the Zero hotline (415-789-8383) this morning, and the bad news is that the rumored Zero gig @ Maestro's in San Ramon for this Sunday has been MOVED BACK to "probably late June" according to the friendly voice on the recording. So this means us Bay Area folk have Judge Murphy & Friends this Thursday night (in San Rafael) and then nothing until JUNE 15th!! Oh god, here come the withdrawl pangs again!!! So if any of the "lurking" bandmembers feel like getting a gig together for the interim....we're ALL for it! 8-) 8-) 8-D Hows about a little SK&F in Fairfax? Or hey...CHIP: hows about Dropping a Few Names sometime in the next couple of weeks? Just make sure that the Word goes out on the net.......and we will be there! looking for something like the real thing, P.P.S. Oh Yes the GOOD news: 06/15 - Zero @ Maritime Hall 06/22- SKF "on FIRE" for a good cause 07/05 - Zero's PaRtY in Fairfax ^^^^^^^^^^^^^^^^^^^^^^^^ this one gonna be Goooood! Bruce Norbeck: Brothers & sisters, Set One Tear Tags (When was the last one of these?) I've no idea when the last *Tear Tags OFf Mattresses* was, but I knowit's been far too long. Until last Saturday night, I'd never heard them play it live, that I know of. Anorexia! (Thanks Martin!) Ditto Anorexia, so far as I know. Both of these songs were wonderful, particularly in light of my desire to see them expand their song list. I didn't recognize *Tear Tags*, & had to ask some-one what it was. I could tell from the beginning notes of *Tear Tags* that this show was going to be special... & it was. Steve & Martin were in fine form already, working & playing off each other & just wailing away; meanwhile, we were all bouncing around the room! Chance in a Million Possession Sweet, the solo opening *Chance In A Million* had me in tears. I can so easily picture Jerry singing this, & knowing he never will really hurts. Also, my father's health is failing, & I've been mulling over the proper time try & say all the things I have to say, before it's too late... & that chorus, yikes... "999,000 good byes/don't make one hello/you got to improvise" I thought about other things while I danced, like euthanasia & abortion, & it struck me that Hunter is saying that you have to take that chance, no matter how slim it is, to save a life; 'cause you never know, when it might work out -- nor do you knw when you'll never get that chance again. Of course, he probably wasn't thinking in political terms, & I apologize, in advance, to anyone who might take of- fense at my injecting politics into my review. However, I can only report how I felt at the time. La Fiesta Oh, the highlight of the show, only slightly more so than *Gregg's Eggs* & *Strawberry Fields* (see below). I've never heard them do *La Fiesta* live, & only rarely heard it even on a tape; I think I've only got one version on tape, in fact. I thought this would never end, & I didn't want it to. *La Fiesta* & *Tangled Hangars* are probably my two favorite Zero songs, although *Gregg's Eggs* & *Golden Road* come close. Catalina A nice ending, & a well-played, well-sung version. I love this song... another one I wish I could have heard Jerry sing. (sniffle) Set 2 ------------- Like a Rolling Stone Wow, what a treat. Well-done, guys, & well-chosen. Thank you very much! Listen Here Junco Partner I've heard *Junco Partner* before -- they played it on 5/10 -- but I wouldn't recognize it unless someone told me what it was. I can't really say much about the song itself, but I can say that I loved the entire second set. I felt that, even though the energy level might have gone down, the spirit in the room was very palpable from this point on, as if the entire audience was caught up in the emotional intensity the band was putting out. I felt they were still peaking, when they played the last song. Strawberry Fields Forever What more could be said? I've NEVER heard anything like this -- the sweetest version of *Strawberry Fields* I've ever heard. The audience singing along was a perfect touch; one of those wonderful times when audience & band combine in a synergy that just crackles with electricity. Unreal, other-worldly. My condolences, to all who missed this! Greggs Eggs Oh, what a meltdown. I thought the version on 4-20 was hot, but this... eek. I started spinning & couldn't stop, just stood there, spinning in one place watching the world whir by; finally, I had to stop, because I got scared; for some reason, things just seemed a little TOO intense; not that I couldn't handle the spinning, but somehow the FEELING was just too much, like I was going to drift off into NetherSpace if I didn't re- cover quickly. I didn't want to stop, though; I just felt as if I would never come back to reality, if I didn't. Now, I wish I'd kept spinning. But the song itself... oh, man. The way the band seemed to all be soloing at the same time, each member doing his own thing in combination with each of the others... this is what I come to see Zero for. South Side Strut The song I couldn't identify...neither could anyone else I spoke to. Is it new? Doesn't matter, I loved it. Great song, looking forward to hearing it again. Love the One You're With!! Oh, what a treat... another old favorite of mine, & completely unexpected. I thought about the woman I'm in love with, & how we're not together, & how we should be, & again, I couldn't stop the tears. Beautiful. If the Trees (Zero...how about telling us the name of this one) Did anyone else notice that Judge was wearing an Earth First! shirt? Thank you, Judge. Encore ----------- Satisfaction (I Can't Get No) Whoo-hoo! What a riot -- & a perfect ending for a near- perfect show. Thank you for a real good time, brothers! Now, for another suggestion -- how about *Gregg's Eggs*, melting into a nice, long, *Cole's Law*??????? :) :) :) :) :) :) :) :) :) Hope I didn't steal Tom's thunder... &, my apologies, in advance, for the length. At least it's Zero-related! :) =============================================================================== Fairfax Outdoor Festival - Fairfax, CA 6/9/96 SET 1: Promised Land She Caught the Katy Chance in a Million Pits of Thunder Mercury Blues ENCORE: Like a Rolling Stone BAND MEMBERS: Steve Kimock Liam Hanrahan Martin Fierro Chip Roland Greg Anton Judge Murphy John Morgan Kimock Kevin Frasier Lance Dickerson REVIEW AUTHOR(S): Bruce Norbeck NOTES: Brothers & Sisters, Kurt & I left for Fairfax about 1:30 or so yesterday afternoon; much too late, as it turnedout. We arrived in town (first visit for either of us) at 3:30 orso, just in time to catch Zero leaving the stage at the end of*Mercury Blues*. So we stood there, slightly disappointed, untilthe boys came back out for the encore, a nicely done version of*